Comparative Study Some Like It Hot


Persepolis


discovers her daughter’s plans and asks her how painful she would find it if she were to be nailed to the wall by the ears.


While on the surface Marjane’s childhood plan to seek violent revenge might seem as ridiculous as the farcical massacres in Some Like It Hot, it is far more serious. Marjane’s decision to attack her friend and the government’s calculated targeting of schoolboys are simply two of many examples of how the world of this text is one in which the characters have to struggle against the assumption that violence is the natural and normal solution to all of life’s difficulties.


The Spinning Heart


In one way, the attitude to violence in all three texts is similar in that the characters come to terms with the fact that it is a part of life. Joe and Jerry, and even Federal Agent Mulligan, seem to accept that the mobsters will hurt and kill anyone who stands in their way. Marjane and her family and friends abhor the violence of the Islamic regime but know they can do nothing to change it.


A helpless acceptance of violence is voiced by Jim Gildea, the local sergeant in The Spinning Heart. Despite being a peaceful man, he believes that the potential for violence is not far beneath the surface at any time. He recalls the War of Independence, when Irish people took up arms against the British. It was a time when killers appeared ‘from inside of ordinary people’. Although those days are long gone, Jim asks, ‘aren’t we still the same people?’


In The Spinning Heart, resorting to violence is seen as an almost inevitable response to undue stress or pressure created by issues that include family conflict and financial difficulties.


The three texts present us with different views of love and marriage.


The first half of Some Like It Hot presents us with a negative view of love and marriage. Everybody in the film seems to be out for what they can get out of a relationship without factoring love into the equation at all. Joe is a womaniser who lets women down time and time again. He flirts shamelessly with his agent’s secretary in order to get her to agree to loaning him her car and takes further advantage of her by charging a full tank of petrol to her account. When he sees the beautiful and sexy Sugar Kane, Joe is determined to win her and disguises himself as a wealthy oil heir in order to get her into bed.


The women in the film appear to have a just as cynical and materialistic view of love


The world of Persepolis presents us with a view of love and marriage that is far more negative than that in Some Like It Hot and has none of the ‘happily ever after’ endings of the film. Although Marjane’s parents appear to have a strong marriage, their daughter is not so fortunate in her own relationships. Marjane’s first true love, a Viennese boy called Markus, treats her very badly. He is as selfish and manipulative as Joe is at the start of Some Like It Hot, but he does not possess Joe’s natural charm. And while Joe became a better, more thoughtful person through his relationship with Sugar, Markus


The Spinning Heart, like Persepolis, presents us with a rather negative view of love and marriage. Apart from Bobby and Triona’s union, the relationships in the novel are deeply flawed.


Most of the younger men in the novel speak about women as sexual objects and boast about their conquests in crude language. While women are viewed in this way at the start of Some Like It Hot, the film presents us with a gentler and more humorous vision of sexual attraction than in the novel. In private, however, the men want meaningful relationships, even if they are not comfortable admitting this to their friends.


362 King Lear and Comparatives


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