search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
cated the reading room at the south west corner. “It has dual aspect glazing so you can watch the weather passing by while remaining warm and cosy,” says Iain. The reading room is a pivotal part of the


property and demonstrates the clever ways in which the house can easily ‘expand and con- tract.’ The L-shaped design starts at the entrance vestibule and utility room which leads into the kitchen, dining area and sitting room with the reading room in the corner. Then, the north side contains the sleeping accommodation with four bedrooms and a guest bedroom on the upper level of the largest gable, providing privacy from the working side of the farm. Each ground level bedroom also connects directly into the private courtyard by way of glass doors. “The initial plan for the guest bedroom was to locate it on a mezzanine level but we felt it wasn’t private enough,” says James. “Then Iain and Matt came up with the idea to use sliding doors and partitions which allows us to balance privacy with open plan design.” It’s an effective solution and provides the


52 www.sbhonline.co.uk


family with the options they require. Slide the partitions back and the reading room becomes part of the sitting room and likewise with the guest bedroom. Move another partition and guests have more privacy and space to access through a lobby rather than directly into the main living space. This open/close effect is also accentuated by the change in ceiling heights and divisions. The interesting eterior profile has een mirrored inside, creating the separation that James and Lorna were keen to capitalise upon. “Following the rooine internally and eposing the ceiling lets the volumes kick up and over the partitions,” Iain explains. “At eye level you have a degree of enclosure, but you have the volume at roof height.”


INTERIOR AESTHETICS


While the design and layout now worked in tandem, deciding on a finish that would ow through each space took a it more consideration, and the initial proposal to line the ceiling in Douglas Fir was prohibitively


jul/aug 2022


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68