search.noResults

search.searching

dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
IN BRIEF


Q&A Olaf Bryan Wielk


Premium vs Free rate is pretty high, but yes, getting the balance right is difficult. If as an author you are serious about story development, you need Beemgee Premium. Free is just to give you a taste of how it works. It replaces the trial period. The key to getting people to go


for Premium is of course providing value. As a company, what you offer has to really help people. But it is surprisingly hard to tune your offer to what people really need. In our case, we don’t really know more about most of our users than their e-mail address, so we only know through those authors we have direct contact with whether they are developing novels, screenplays, theatre or games. We even have business consultants using our tool to define personas, or for stakeholder analyses.


Olaf Bryan Wielk


Beemgee, founder The founder of Beemgee—a tool to help authors develop their narrative material— explains the benefits to authors


Questions Tom Tivnan


01 First, can you explain why and how Beemgee


was started? The idea for an online outlining tool arose in a Berlin coffee shop. My friend Amos is a documentary film editor. We were talking about his latest project as well as an idea I had for a novel. We discovered there was no web tool specifically for outlining narrative material, for developing stories. The idea germinated in me. I went


OLAF WILL BE SPEAKING AT TODAY’S FRANKFURT AUTHOR CONFERENCE


TheBookseller.com


to this guy I had worked with before, Robert, who had a web agency. Well, we brought out a prototype character development tool on Beemgee.com in time for the next Leipzig Book Fair


and immediately got very positive responses, including an investment offer. Which we ended up declining!


02 Could you sketch out how Beemgee has developed,


both in terms of subscriber base and the user experience? The first version of Beemgee was free. It took us a while to release Premium, and to be honest, in the first months of Beemgee Premium there was literally no difference between Free and Premium. But gradually Premium subscribers received more and more features, and by now we have a powerful suite of Premium tools—for characters, for plotting, and for pitching the story. Thousands of authors all over the world develop their stories with Beemgee.


03 You must have a delicate balance of what you give out


for the Free and Premium services. What’s the key getting people to upgrade from Free users to Premium subscribers? Back when we launched, the idea of an outlining tool was so new that initially we wanted a very low threshold to using the tool, so you could start developing a story right away without even registering. Now, a lot of people go straight to Premium. We had to learn all that stuff about conversion and retention rates. Our


Some of our authors are


professional and publish in traditional publishing houses. For them, Beemgee is an efficiency tool. Others are keen amateurs. Using Beemgee, these budding authors learn the craft of dramaturgy. They all get a tool to communicate their story content to editors or publishers.


04 You aren’t the only author-tools software


firm. What is fuelling the rise of these platforms? And what makes Beemgee unique? Telling and being told stories is a human need, a defining characteristic of the species. These days, it is easier than ever to tell, or rather to disseminate, your own stories. So, the rise of author tools is directly linked to the phenomenon of self-publishing, which is now merging with traditional publishing. When we started, we were pretty much alone in our space as a story development tool. Now there are a couple of others. What distinguishes us? Firstly,


Beemgee is solely about story development. It’s not a writing tool or


Continues overleaf  21


We have a powerful suite of tools— for characters, for plotting, and for pitching the story... Thousands of authors develop their stories with Beemgee


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36