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DESCRIPTION


  


DESIGNER OF THE YEAR SUZANNE DEAN


THE SHORTLIST Charlotte


Abrams-Simpson ORION


Jasmine Aurora MOONFLOWER


Luke Bird FREELANCE


Mark Ecob MECOB/UNBOUND


Bekki Guyatt LITTLE, BROWN


Nico Taylor LITTLE, BROWN


Jo Thomson FOURTH ESTATE/ WILLIAM COLLINS


V


intage’s creative director Suzanne Dean has been behind some of the most iconic covers in publishing over more than two


decades at Penguin Random House, and 2022 saw her at the very top of her game. Dean’s highlights included a memorable,


era-evoking cover for Ian McEwan’s Lessons and bright and powerful designs for newer voices like Megan Nolan and NoViolet Bulawayo. Her impact went way beyond the frontlist though, and she proved herself the best in the business at reimagining and reinvigorating the backlists of established literary heavyweights like Haruki Murakami, for whom she produced vivid and enticing Japanese-inspired designs. She also has a flair for series like Vintage Earth, where she combined distinctive and resonant artwork for each title, with the coherence of a collection. As well as being an exceptional creative she


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is a superb collaborator with authors, editorial teams and external designers, typographers, illustrators and photographers. Correlating design and sales is tricky, but in Dean’s case there is no doubt that the visual impact and collectability of her work consistently pushes sales beyond expectations. As one top agent put it: “Readers buy the books because they love the author— but they also buy the books because they love the design.” Judges said her work showed emotion,


depth and warmth, and balanced heritage with modernity, and commercial appeal with liter- ary sensibilities. “If you were an author paired with Suzanne, you would be overjoyed,” said the judges. “She has a backlist of iconic cover after iconic cover, but with each new one she innovates and takes risks. She reaches into stories to bring them to life through design… it raises the bar for what book design can and should be.”


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