During this period at Athelhampton, Marevna began to depict the people working at the house, in particular she focussed on the kitchen and the animals. In many respects she was referencing her earlier days working alongside Soutine and his paintings of animal corpses, however unlike Soutine the narrative of these depictions are more ethereal.


227 227


Marie Vorobieff Marevna, Russian 1892-1984


Hanging cockerel


watercolour, gouache, charcoal and coloured chalk, signed, dated and inscribed ‘Beaucaire’ in black charcoal, 56 x 38cm (unframed)


£100 - 150*


228 Attributed to Marie Vorobieff Marevna, Russian 1892-1984


Croquis d’insectes;


blue pen on wove paper, 26.7 x 21cm: together with one other similar study by the same artist in pen and black ink on the reverse of a printed programme for the Pushkin Club, Kensington Park Gardens, London W11, 33 x 20cm (2) (unframed)


229 96 £80 - 120*


228 229


Marie Vorobieff Marevna, Russian 1892-1984


Study of a hare, c.1950;


charcoal, signed and dated in pencil, 36 x 19cm: together with a pencil study of a moles by the same artist, 20.5 x 28cm and a pencil drawing of a Boy with rabbit, 28 x 19cm (3) (unframed)


Note: Marevna would sketch the dead animals in the Athelhampton house’s kitchen. The sketch of the rabbit is a sketch of the artist’s oil of a dead rabbit and bird which was exhibited at Moscow, State Tretyakov Gallery, ‘Marevna,’ October 14-November 9, 2004, no.133.


£100 - 150* www.roseberys.co.uk


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