Photo Credit : Jorrit Lousberg© Vrienden van Amstel Live Concert
The Utimate Video Processing Tool Box: VIO 4K
The Analog Way VIO 4K is a multi-format converter and scaler, with LED wall features and 4K60P 4:4:4 capabilities. You can rely on the VIO 4K as the ultimate all-in one solution for any scaling and conversion requirement.
Ultra-fast switching between inputs - Anything IN, Anything OUT - Optional video cards offering 4K 60Hz 4:4:4 input & output over DP1.2, HDMI 2.0, 12G-SDI and Quad-Link 3G-SDI
- Optional audio cards offering XLR support and DanteTM audio support
- Advanced LED wall features: custom grid patterns, area of interest, custom formats and more - Ultra-low latency 10-bit 4:4:4 processing (as low as 15 msec) - High-quality scaling engine for crisp and truly natural images - Output rotation
MidraTM Series Analog Way’s MidraTM
Seamless Switchers. The Midra’s platform consists of 6 products: QuickVu-3G, QuickMatriX, SmartMatriX2
platform is at the core of a line of mid-range Mixers / , Saphyr, Eikos2
and Pulse2 -3G.
lmproved architecture Compared to the Pulse range which was launched in 2009, the MidraTM
switchers
benefit from several major improvements, bringing the products to the next level. They come in a 2RU enclosure with a deeper chassis, ensuring better air circulation and cooling of the device. Upgraded connectivity, with up to 10 seamless inputs and 16 input plugs: 4 x Universal Analog, 4 x DVl-D, 4 x HDMI and 2 to 4 x 3G-SDI plugs. Thanks to the clean cut effect, the MidraTM
switchers can operate fast and seamlessly switch between any of their 16 input plugs without fade through black or loss of sync.
Ultra-performing processing with smart functionalities Thanks to optimized programming and a new architecture, the MidraTM switchers offer fast True Seamless Switching, with a 50% speed gain in control parameter response. The de-interlacing process was significantly improved, similar in quality to the process available on the LiveCoreTM
series. NEW! 4 new models available featuring HDBaseT™ inputs and outputs.
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120