Photo Credit : Jorrit Lousberg© Vrienden van Amstel Live Concert
Analog Way
Analog Way’s Mixers & Seamless Switchers have been designed to offer ease of use, ultra-low latency image processing, uncompromising video quality, true seamless switching and advanced video effects for elegant AV presentations.
Engineered to be road-hardened to survive tough live event environments and also for the long-haul in fixed installations, the Analog Way’s video processors are ideal from Live events to permanent-large-scale video walls applications.
LiveCoreTM
Series
Analog Way’s ultra-powerful range of Premium AV Switchers combines ruggedised design, versatile connectivity, 4K capabilities and state-of-the- art processing to fit with the most demanding applications. The LiveCore™ series comes in two layouts: 8x2+1 for the NeXtage 16 - 4K and NeXtage 08 - 4K, and 12x4+1 for the SmartMatriX Ultra, Ascender 16 - 4K, Ascender 32 - 4K - PL and Ascender 48 - 4K - PL. For easy and safe monitoring, all systems feature an independent Dual-Link output with versatile display options including Full Preview and Live Mosaic. Offering the latest in digital connectivity, HDMI, DisplayPort, and 3G/HD/SD-SDI input plugs, also powerful operating modes to create a great variety of display layouts - mixer, dual mixer, hard edge, vertical and/or horizontal soft edge, 4K display.
• 16 to 48 scalers, for easy and seamless management • Intuitive Web Remote Control Software (Web RCS) • Dynamic thumbnails of sources - create and organize show presets using drag & drop operation • LiveCoreTM
• Optional event controllers: VertigeTM
Output Expander easily link to any Ascender or Smart Matrix Ultra controller, Control box2
, Shot box2
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120
