search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
41


BUILDING PROJECTS


ROYAL PORTFOLIO HOTEL CAPE TOWN


South African carving


The transformation of a historic Cape Town grain silo into a contemporary art museum topped with a hotel involved carving out the inside to form an elliptical atrium, and covering the facade with glittering glass pillows. Stephen Cousins reports


W


hen architects Heatherwick Studio were approached to transform a historic grain


silo building in Cape Town harbour into a spacious new museum for contemporary art, it was faced with an inflexible industrial concrete structure comprising a densely-packed network of 33 metre-high concrete tubes. The 42 cylinders, formerly used for storing grain, each had a diameter of just 5.5 metres and were entirely unsuitable for use as functional gallery spaces, or indeed access by humans. The studio’s ingenious solution was to devise a form of architectural surgery, slicing into the structure to form a large elliptical central atrium, capped by a glass roof, and a network of 80 other gallery spaces.


The architecture is like a 3D anatomy lesson exposing the different


layers inside Stepan Martinovsky, project leader, Heatherwick Studio


The exterior of the building would remain largely intact, to pay tribute to the original industrial design, apart from a series of twinkling jewel-like faceted windows that light up at night like a lighthouse.


Stepan Martinovsky, project leader at Heatherwick Studio tells ADF: “Visitors entering the museum will understand in a single glance the cellular structure of the original building, the material it was made


ADF OCTOBER 2017 WWW.ARCHITECTSDATAFILE.CO.UK


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100