search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
SUMMERTERM 2017


THE HARTT SCHOOL MUSIC • DANCE • THEATRE


EXCITING NEW WORKSHOPS FOR 2017 2-CREDIT, HALF-DAY WORKSHOPS


String Refresher—Cello Technique Best Practices in Upper Strings Teaching Flute, Clarinet, and Saxophone Refresher Double Reeds Refresher High Brass Refresher Low Brass Refresher


Blending Pedagogy: Incorporating General Music Methods in Children’s Choir


Breath and Shape: Pursuing Optimal Efficiency and Beauty in Singing NEW 3-CREDIT, FULL-DAY WORKSHOPS Instrumental Music Literacy


Rehearsal Techniques and Score Preparation A General Music Ukulele Curriculum Advanced Guitar for the Music Teacher


SESSION 2 JULY 3–7 (no classes July 4)


An Introduction to Orff-Schulwerk Penny Mahoney


Flute, Clarinet, Saxophone Refresher Andrew Studenski (half-day)


Double Reeds Refresher Scott Switzer (half-day)


Instrumental Music Literacy Nate Strick


SESSION 3 JULY 10–14


Technologies in the Music Classroom Miriam Schreiber and Leslie Cohen


World Percussion and Drum Set Survey for Music Educators Ben Toth


Introduction to Music Recording Justin Kurtz


Diverse Learners in the Music Classroom Heather Wagner


Folk Instrument Performance Jeff Rhone


SESSION 1 JUNE 26–30


Hartt Baroque Orchestra Seminar Emlyn Ngai


Low Brass Refresher Haim Avitsur (half-day)


High Brass Refresher Cathryn Cummings (half-day)


A General Music Ukulele Curriculum Ken Trapp


Piano Tuning I and II Kenneth Lawhorn


Blending Pedagogy: Incorporating General Music Methods in Children’s Choir Vanessa Bond (half-day)


Music Video Production Gabe Herman


Hartt Guitar Festival Andrew York, Christopher Ladd, Richard Provost


Guitar Basics for the Music Teacher Christopher Ladd


Breath and Shape: Pursuing Optimal Efficiency and Beauty in Singing Robert Barefield (half-day)


SESSION 4 JULY 17–21


Rehearsing the Secondary Jazz Ensemble: Technique and Repertoire Haig Shahverdian


Around the World in Song and Dance Lillie Feierabend


Jump Start Your Choir Vanessa Bond, Edward Bolkovac


Rhythmic Workout for Music Educators Rogerio Boccato


Advanced Guitar for the Music Teacher Christopher Ladd


Band Instrument Maintenance for Music Teachers Glen Grigel


Rehearsal Techniques and Score Preparation Glen Adsit and Edward Cumming


SESSION 5 JULY 24–28


Body Mapping for Music Educators Kay Hooper


Percussion Know-How for Music Educators Ben Toth


School String Fleet Maintenance for Music Teachers Glen Grigel


Instrumental Conducting Clinic Glen Adsit and Edward Cumming


String Refresher—Cello Technique Carlynn Savot (half-day)


Best Practices in Upper Strings Teaching Winifred Crock (half-day)


SESSIONS 4–5 JULY 17–28


The Hartt Choral Conducting Institute—LEVEL II Vanessa Bond, Edward Bolkovac


THE HARTT KODÁLY CERTIFICATION PROGRAM John Feierabend, Jeff Rhone, Edward Bolkovac, Gabor Viragh


THE FEIERABEND ASSOCIATION FOR MUSIC EDUCATION (FAME)


First Steps in Music® John Feierabend


Conversational Solfege™ Beginning: John Feierabend


Conversational Solfege™ Advanced: John Feierabend


SUMMERS ONLY MASTER OF MUSIC EDUCATION


Earn your MMusEd during the summer. Choose an emphasis in Pedagogy or Kodály and complete 37–42 credits in just three summers!


MARCH 2017


Warren Haston PhD, Director, Hartt Summerterm


hartford.edu/hartt/summerterm 59


haston@hartford.edu


860.768.5526


TEMPO


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68