DIRECTOR T.C. Frank
WRITERS Frank Christina, Teresa Christina
PRODUCER Mary Rose Solti
BEHIND THE SCENES
CINEMATOGRAPHERS
Fred J. Koenekamp, John Stephens
EDITORS Larry Heath, Marion Rothman
MUSIC Mundell Lowe
CAST Tom Laughlin, Delores Taylor, Clark Howat,
Victor Izay, Julie Webb, Debbie Schock,
Teresa Kelly, Lynn Baker, Stan Rice, David Roya,
John McClure, Susan Foster, Susan Sosa
Billy Jack
1974 USA 114 minutes
New Digital Restoration
CONVERSATION WITH Tom Laughlin
and Delores Taylor following screening
Watching Billy Jack today it seems part time-capsule, part alternate
history, as it’s tough to imagine a film quite like this catching on again.
After an initial, half-hearted release by Warner Bros., star Tom Laughlin
sued the studio to gain back the rights and try it himself. His own
T.C. FRANK
BORN: ���>��ii]�7�U August 10, 1931
innovative grass-roots release became a smash success, turning the
conventional wisdom on film distribution upside down.
Directed by Laughlin under the pseudonym T.C. Frank (he also co-
wrote the story with his wife and co-star Delores Taylor), the film
tells the story of an alternative school for wayward teens run on a
Native American reservation that is protected from small-minded
townspeople by a mystical Vietnam vet. Billy Jack may spring from
the ideologies of the ‘60s counterculture, somehow touching on gun
control, environmentalism, education, discrimination, and a whole
policy think-tank worth of other issues, but as filmmaking it comes
from the fast-and-loose exploitation school, hence its high-minded,
proto-political correctness is surrounded by motorcycles, fast cars,
groovy girls, and a few hearty helpings of martial arts whoop-ass.
And keep an eye out for a pre-WKRP Howard Hessman
— Mark Olsen
'%%.Adh6c\ZaZh;^ab;Zhi^kVa 167
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