DIRECTOR Amat Escalante
WRITERS Martín Escalante, Amat Escalante
PRODUCERS Jaime Romandia, Carlos Reygadas
TIONAL SHOWCASE
CINEMATOGRAPHER Matthew Uhry
EDITORS Ayhan Ergürsel, Amat Escalante
MUSIC Ciril, Jazkamer
INTERNA
CAST Jesús Moisés Rodríguez, Rubén Sosa,
Nina Zavarin, Kenny Johnston
Los Bastardos
Mexico/France/USA 86 minutes
Spanish with English subtitles
A heady mix of aesthetic formalism and pulp crime, Amat Escalante’s
bravura sophomore film fearlessly uses the hot-button topic of illegal
workers in the U.S. to examine the horror of spiritual compromise.
Two young Mexican men in Los Angeles work as day laborers
AMAT ESCALANTE
for arrogant whites who pick them up at Home Depot but refuse
BORN: >ÀViœ˜>]Ê-«>ˆ˜ÊUÊFebruary 28, 1979
to provide a ride back unless threatened. They’re barely scraping
together enough money to support themselves, let alone their ailing
relatives back home. When given the chance to make a quick buck by
killing a suburban housewife, their apparent readiness breaks down
into natural hesitation, and they enter into a strange, empathetic
relationship with the woman.
MARTIN ESCALANTE
Escalante builds an almost unbearable tension by employing long BORN: >ŽiÜœœ`]Ê

ÊUÊ1983
takes full of stillness and contemplation, but always pregnant with the
possibility of sudden, brutal violence. Although presenting America
as a sort of hell in which people are forced to objectify each other
for pitiful sums of money, Escalante keeps his characters remarkably,
fearfully human; they would probably rather laugh than spill blood, if
only given the chance.
— Travis Miles
SPONSORED BY
HOSTED BY University of Guadalajara Foundation
114 '%%.Adh6c\ZaZh;^ab;Zhi^kVa
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