INTERNA
DIRECTOR Rabah Ameur-Zaïmeche
TIONAL SHOWCASE
WRITERS Rabah Ameur-Zaïmeche,
Louise Thermes
CINEMATOGRAPHER Irina Lubtchansky
EDITOR Nicolas Bancilhon
MUSIC Sylvain Rifflet
CAST Salim Ameur-Zaïmeche, Abel Jafri,
Sylvain Roume, Christian Milia-Darmezin
Adhen
Dernier maquis
France/Algeria 93 minutes
French with English subtitles

In this visually striking film about religious observances and living
wages, writer-director Rabah Ameur-Zaïmeche also stars as the owner
of an industrial pallet and truck repair yard on the outskirts of Paris.
Nicknamed “Mao” by his employees—largely Arab and African
RABAH AMEUR-ZAÏMECHE
Muslim immigrants—he likes to do what he can to keep everyone
BORN:
}iÀˆ>ÊU1966
happy and productive, as long as it doesn’t affect his bottom line. The
delicate accord between labor and management goes awry when, in a
gesture meant to emphasize the connection between devotion to Allah
and a good work ethic, Mao converts an unused portion of the yard
into an ad hoc mosque. But instead of placating the workers, Mao’s
efforts simply turn the heat up on some long simmering resentments
that, to his surprise, are about to boil over.
LOUISE THERMES
Although Adhen deals directly with some heady topics—religion,
BORN: *>ÀˆÃ]ÊÀ>˜ViÊUÊ1970
immigration, unionization—it never becomes didactic, always
tempering its politics with a working class sense of humor. With a gift
for crafting interesting, believable characters, Ameur-Zaïmeche puts
human faces on real world problems.
— Doug Jones
HOSTED BY UCLA Center for Near Eastern Studies
'%%.Adh6c\ZaZh;^ab;Zhi^kVa 99
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