search.noResults

search.searching

note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
permeate throughout both levels of the building.


“From the social aspect of design, we tried to make activity areas highly visible,” Marchant explains. “We created views in and through the spaces. Really, nothing is happening behind closed doors. It’s all art and making on display.”


To play off of the concept of raw design and creation—and to maintain the building’s industrial heritage—the architecture team left interior com- ponents out in the open.


“There are open ceilings and exposed spiral ductwork. We kept all of the floors raw and used reclaimed floor- boards from salvaged Baltimore row homes for accent walls and wood flooring,” says Marchant. Pewter grays and bright oranges accent the facility’s predominantly white color scheme.


Diehl adds, “What I like about the repurposing of this building is that the design doesn’t cover everything up. When you stand on the floor and look up in the air, you see everything because it has an open concept layout. There are very few ceilings, which is a really neat thing.”


The site, which is triangular, has a flexible parking lot that can


Key project team members from BARCO, Open Works, Cho Benn Holback + Associates and Southway Builders Inc. meet to discuss the Open Works’ project.


transform into an outdoor event space, complete with a large deck and adjacent stairs designed to be a hangout spot, seating area or even a stage.


OPEN WORKS: OUT- FITTED TO UNLOCK OPPORTUNITIES


The first floor of Open Works con- tains large shop areas for wood- working and metalwork and a digital fabrication lab specially outfitted for computer-numeric control (CNC) production. A large bay door allows


for convenient street-level access to move products and supplies.


The second floor holds additional workshops, classrooms, a combined lobby and retail area, a library, and a café. Examples of facilities and tools provided on this level include:


• A 16-station computer lab


• A cut-and-sew studio for textile work


• A digital media space containing six Mac computers


• A microelectronics shop equipped with eight soldering workstations


and two desoldering pumps • A 3D imaging and printing facility


“ Physical makerspaces aggregate a lot of really smart people under one roof. When you have all of these people just brewing together, it makes everyone more likely to succeed.”


-Will Holman, General Manager, Open Works


The building also houses 142 individ- ual micro-studios that provide flexible workspaces for designing, assembling and finishing projects and products. The café, along with multi-use outdoor spaces, are open to the general public.


Open Works’ crew of full-time man- agerial staff members, along with


POWERED BY THE BLUE BOOK NETWORK - BALTIMORE & VICINITY / FALL 2016


13


COURTESY OF KARL CONNOLLY PHOTOGRAPHY


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132  |  Page 133  |  Page 134  |  Page 135  |  Page 136  |  Page 137  |  Page 138  |  Page 139  |  Page 140  |  Page 141  |  Page 142  |  Page 143  |  Page 144  |  Page 145  |  Page 146  |  Page 147  |  Page 148  |  Page 149  |  Page 150  |  Page 151  |  Page 152  |  Page 153  |  Page 154  |  Page 155  |  Page 156  |  Page 157  |  Page 158  |  Page 159  |  Page 160  |  Page 161  |  Page 162  |  Page 163  |  Page 164  |  Page 165  |  Page 166  |  Page 167  |  Page 168  |  Page 169  |  Page 170