Baltimore love it not in spite of—but because of—its ec- centricities and quirks,” he says.
The veteran builder joined Southway Builders in 2001 and says that it was the best professional decision he ever made. “I started my career with a huge, national con- tractor. I made a conscious decision to go to a smaller company.
I found that I really like the close relation-
ships and the connections in a smaller company culture,” Diehl says.
ADAPTING AN OLD BUILDING FOR A NEW PURPOSE
Built in the 1920s, renovation considerations for the transit-oriented building included its close proximity to an Amtrak train line, which runs within 15 feet of the fa- cility at its closest point. Diehl had never before worked on a project situated so close to a train right-of-way.
“We had to do exterior wall renovation and site work, and lots of trains go past this building each day. Some of the
guys working on the building had to be trained by Amtrak to work safely next to the train corridor,” says Diehl.
The project team also had to contend with multiple, complicated mechanical, electrical and plumbing in- frastructure systems dedicated to a variety of uses. Robust fire separation measures were implemented between the various types of work spaces, including installing concrete walls versus typical drywall panels and also enclosing the central staircase with shatter-re- sistant glass.
One design hurdle involved leveling the building’s upper floor, which sloped from front to back about three feet. The solution involved developing a system of ramps and terraces to create level studio spaces.
Sustainable design measures included insulating the building envelope (walls, roof and insulated glazing), and providing high-efficiency HVAC equipment and LED light- ing. Designers also opened up new windows and added a skylight at the central stair to allow natural light to
An artistic rendering of the Open Works’ campus. The facility is positioned at the southeast corner of the Station North Arts and Entertainment District, Maryland’s fi rst designated arts district, which is full of artist live-work spaces, galleries, row houses and businesses.
12
THE WHO’S WHO IN BUILDING & CONSTRUCTION
DISCOVER MORE @
WWW.THEWHOSWHO.BUILD
COURTESY OF CHO BEN HOLBACK + ASSOCIATES
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170