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social media people are more aware of what is going on,” she says. “Dallas is also gaining more respect all the time with the growing number of significant art events, artists and galleries.”


Because Dallas is centrally located, Fox feels that the city tends to attract artists and others from both coasts as well as outside of the country, giving Dallas a unique opportunity to merge ideas and cultural influences from a variety of locations, which adds to the creativity and expanding Dallas art scene.


Fox works with many interior designers, and she stresses that listening is always a good place to start when building new re- lationships. “Designers are very busy people, so we always strive to create a relationship that they know they can depend on. We want them to trust that they are


going to get unique quality art as efficiently as possible, from the first brushstroke to the last nail in the wall, when they work with us,” Fox says.


Jen Mauldin Gallery “I opened up Jen Mauldin Gallery to not only show a wealth of talented artist but to be a part of helping to cultivate new artists that will keep the art in Dallas continuously growing,” says Jen Mauldin of her epon- ymous gallery, located near Ginger Fox Gallery in the Bishop Arts District.


She points out that not only is Dallas home to many passion- ate collectors but it’s fortunate to have the work of the same great artists who exhibit in Florence, Paris and London. “Best of all, Dallas is a young city and artists have a freedom here that they wouldn’t have in places like New York, where


things are more established. People are literally inventing new ways of doing things here daily,” Mauldin says.


For Mauldin, 2017 is a year for exposing the raw beauty and strength in women, depicti- ng bold independence and strength and blurring the lines between masculinity and fem- ininity.


Coming from the interior design industry Mauldin has personally loved working with galleries as a designer. “Col- laboration is ideal and the more details a designer can share about the space, colors, timeline and budget the better. It is important for designers to know that galleries and artists are willing to work within the constraints, including commis- sions or limited edition prints,” she says.


Laura Rathe Fine Art “The Dallas art community is unique for its cohesiveness. Having participated in many art fairs in cities such as New York and Miami, we think Dallas has one of the best planned events because of how the city comes together in support of the fair,” says Laura Rathe.


In addition to these public events, Rathe also looks forward to hosting private events that bring patrons in close contact with her artists. “We hope to build a community around the work we show, creating intimate relationships between the gallery, our patrons and our artists,” she says.


When working with interior designers Rathe notes that increasingly she sees design- ers choosing to look at art first when planning their projects. “Many are basically acting as art consultants and taking the


173 DSD


Southwest Gallery


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