search.noResults

search.searching

saml.title
dataCollection.invalidEmail
note.createNoteMessage

search.noResults

search.searching

orderForm.title

orderForm.productCode
orderForm.description
orderForm.quantity
orderForm.itemPrice
orderForm.price
orderForm.totalPrice
orderForm.deliveryDetails.billingAddress
orderForm.deliveryDetails.deliveryAddress
orderForm.noItems
IN THE STUDIO


157


Lavinia Carey - Roundhill Lodge Studio PAINTING


Local landscapes and Cornish coastlines are the main themes of my work, since I started oil painting two years ago.


Roundhill Lodge, Landshire Lane, Henstridge, Templecombe BA8 0SD 07770 476160 lavinia.carey@btinternet.com


Directions: SatNav unreliable. Please use Google Maps, Open Studios App or WhatThreeWords https://goo.gl/ maps/9TpN61Q2Txg3kqch9 ///windy.hogs.matchbox


Opening Times: 10am - 5pm


S S 16 17 76


M 18


T 19


W 20


T F S S 21 22 23 24


M 25


T 26


W 27


T F S 28 29 30


S 1


158


Camilla Nelson - BECOMING MIXED MEDIA


BECOMING is a creative enquiry into the relationship of human and nonhuman organisms.


What happens when we combine human modes of making with fungal, plant, insect, bird and animal forms, behaviours and methods of communication?


New Farm, Lydford on Fosse TA11 7HA 07869 580529


info@singingapplepress.com singingapplepress.com


Directions: Two doors up from The Cross Keys pub, opposite the bus shelter ///kinks.custodian.paler


Opening Times: 12pm - 4pm


S S M T W T F S S M T W T F S 16 17 • • • 21 22 23 24 • • • 28 29 30


S 1


paulnewmanartist.com SOUTH SOMERSET


Visit the SAW website for interviews with some of this year’s Somerset Open Studios artists!


Find out more


somersetartworks.org.uk/ inthestudio2023


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88