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DOG BYTES


Beaten to a pulp, small-time villain Nick Rendell awaits a gruesome fate in Darren Ward's A DAY OF VIOLENCE.


Toad Waves Occurred Last Night


A DAY OF VIOLENCE


2009, MVD Visual, 94m 53s, $16.95, DVD-0 By Lloyd Haynes


Writer-director Darren Ward’s


second feature following 1997’s SUDDEN FURY, this is a not-en- tirely-successful combination of British horror and post-Guy


Ritchie crime film. Bookended, SUNSET BLVD. style, by afterlife narration from Mitchell (Nick Rendell) as he lies dead on a mortician’s table, the story of his final 48 hours is told in flashback. Mitchell, a debt collector for small- time Southampton crook Casey (Harold Gasnier), steals rather than collects the £100,000 he dis- covers in the squalid flat of a junkie client. Switching his alle- giance to Boswell (Victor D. Thorn), one of Casey’s nastier rivals,


8


Mitchell learns that the stolen money belongs to his new em- ployer. Realizing that he’s a dead man if Boswell finds out the truth, Mitchell plans to abscond with the cash and reunite with his estranged wife, but doesn’t count on the now- dead addict providing Boswell with damning evidence of his theft. Released straight to DVD in Britain and making its US debut


with this 1.85:1 release, A DAY OF VIOLENCE demonstrates Ward’s boldness as a director of violent set-pieces: a stand-out se- quence involves someone being strung up by his ankles and cas- trated with a pair of garden shears, a scene far more gruesome and dis- turbing than a similar one in Steven


R. Monroe’s remake of I SPIT ON YOUR GRAVE (2010). A later se- quence in which a panic-stricken Mitchell faces a similar fate is

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