This page contains a Flash digital edition of a book.
Atanarjuat: The Fast Runner, shown in 2002.


Goodnight Irene, shown in 2005 and 2008.


Memere Metisse/My Metis Grandmother, shown in 2009.


was significant, perhaps because as Jacquelyn Kilpatrick says in her book, Celluloid Indians: Native Americans and Film, it is a work “that privileges the Native audience in the way that Hollywood films have privileged the mainstream audiences from the beginning of film his- tory.” It positioned the inaugural showcase as an empowering outlet for the art of Native film. Since then, more than 800 films of varying lengths have been


screened at the Showcase. In recognition of this accomplishment, the program for the 15th


anniversary year will serve as a retrospective of


many of the most celebrated selections shown over the years. It will span the hemisphere. “There are so many films we could include that had great audience


responses or that we feel will expose viewers to new perspectives. One beautiful piece of Native cinema that will be shown is Atanarjuat: The Fast Runner [2001] directed by Zacharias Kunuk [Inuit]. We try to program films that embrace the artistry which the audiences who come to the showcase will appreciate,” Benitez says. As the event has grown, it has become a venue not only for edu-


cation through film, but also for Native activism. Panel discussions often feature debates on current issues, bringing in such notables as the late Russell Means (Oglala Lakota). This has created what Benitez calls “a living history” for those who come to these discussions.


50 AMERICAN INDIAN SUMMER 2015


Beyond the retrospective, new selections will also be included, such


as Blackhorse Lowe’s latest feature film, Chasing the Light (2015). It’s a film that Lowe, in a recent Navajo Times article, describes as “straight- up reality…depression, heartache, drugs, friends, and it’s a comedy, because all the funniest things are always the darkest.” The showcase takes place at the New Mexico History Museum in


the heart of Santa Fe. It is a short walk from the Indian Market, easily accessible to those in attendance. Since moving to the museum, the Showcase has seen its audiences grow dramatically. At another venue, the nearby Santa Fe Railyard, audiences can spread out a blanket and enjoy family-friendly selections outdoors. Benitez considers the Showcase an opportunity for the Film +


Video Center to show its work outside of the Museum and demon- strate its curatorial breadth. She says, “Within the past 15 years, the program has been an outlet


for us to push our creative boundaries and reach both Native and non- Native audiences with the message that film is a powerful, contempo- rary component of how the Museum accomplishes its mission.” This year’s Native Cinema Showcase runs Aug. 17-23. Film selec-


tions may be subject to change. For the most up-to-date information, visit nmai.si.edu. X Joshua Stevens is the public affairs specialist for the National Museum of the American Indian.


PHOTO COURTESY OF INDION ENTERTAINMENT GROUP


MH COUSINEAU © IGLOOIK ISUMA PRODUCTIONS


PHOTO COURTESY OF WINNIPEG FILM GROUP


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68