Characters Lady Macbeth
Ambitious Like her husband, Lady Macbeth is characterised by ruthless ambition. When Macbeth writes to her about the witches’ prophecies, her thoughts immediately spring to murder as the most expedient way of attaining power.UnlikeMacbeth, this dark idea is not tempered by anymoral considerations. For Lady Macbeth, the prospect of power is all consuming: ‘Which shall to all our nights and days to come / Give solely sovereign sway and masterdom’ (Act 1, Sc 5). Her unrestrained ambition is signalled by her eagerness to kill Duncan; she seems to almost relish
the idea: ‘The raven himself is hoarse / That croaks the fatal entrance of Duncan / Under my battlements’ (Act 1, Sc 5). It is interesting that she says ‘my battlements’ thus signalling her personal ambitions. She embraces the idea of murder in her appeal to evil spirits: ‘Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty!’ (Act 1, Sc 5)
Here she hopes to suppress her conscience to facilitate her desire to be queen. WhenMacbeth returns toDunsinane, LadyMacbeth displays her obsessionwith power.Her first
words to her husband seek to flatter and appeal to his sense of ambition: ‘Great Glamis! Worthy Cawdor! / Greater than both, by the all-hail hereafter!’ (Act 1, Sc 5).
Manipulative Lady Macbeth is instrumental in encouraging Macbeth to proceed with the murder of Duncan. Upon reading Macbeth’s letter, she fears that her husband lacks the necessary murderous resolve: ‘yet do I fear thy nature; / It is too full o’ themilk of human kindness / To catch the nearestway’ (Act 1, Sc 5). She therefore states her intention to aggressively manipulate Macbeth: ‘Hie thee hither, / That I may pour my spirits in thine ear, / And chastise with the valour of my tongue’ (Act 1, Sc 5). In Act 1, Scene 7, Lady Macbeth uses her powers of persuasion to overcome Macbeth’s
reservations. She appeals to his ambition by focusing his attention on the crown: ‘Wouldst thou have that /Which thou esteem’st the ornament of life’.When he displays his reservations about the murder she uses emotional blackmail ‘From this time / Such I account thy love’ and then proceeds to taunt him: ‘Wouldst thou…live a coward in thine own esteem, / Letting “I dare not” wait upon “I would,” / Like the poor cat i’ the adage?’ She attacks Macbeth’s masculinity in an attempt to play upon his pride in himself as a man:
‘When you durst do it, then you were a man!’. Finally she shocksMacbeth with the chilling image of murdering her own child to illustrate her commitment to him: ‘I have given suck, and know How tender ‘tis to love the babe that milks me: I would, while it was smiling in my face, Have plucked my nipple from his boneless gums, And dashed the brains out, had I so sworn as you Have done to this’.
This appeals to his sense of honour, making him feel that he has broken a promise to his wife. As a manipulative character, Lady Macbeth cleverly focuses on Macbeth’s ambition, manly pride and sense of honour. Her influence over Macbeth wanes as she becomes an increasingly marginalised character.
This is most evident when Macbeth fails to consult with her about the murders of Banquo and Macduff’s family. He says, ‘Be innocent of the knowledge, dearest chuck, / Till thou applaud the deed’ (Act 3, Sc 2). Lady Macbeth’s manipulative personality influences Macbeth at the start of the play. However, her sway lessens as the play continues.
Macbeth
147
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88 |
Page 89 |
Page 90 |
Page 91 |
Page 92 |
Page 93 |
Page 94 |
Page 95 |
Page 96 |
Page 97 |
Page 98 |
Page 99 |
Page 100 |
Page 101 |
Page 102 |
Page 103 |
Page 104 |
Page 105 |
Page 106 |
Page 107 |
Page 108 |
Page 109 |
Page 110 |
Page 111 |
Page 112 |
Page 113 |
Page 114 |
Page 115 |
Page 116 |
Page 117 |
Page 118 |
Page 119 |
Page 120 |
Page 121 |
Page 122 |
Page 123 |
Page 124 |
Page 125 |
Page 126 |
Page 127 |
Page 128 |
Page 129 |
Page 130 |
Page 131 |
Page 132 |
Page 133 |
Page 134 |
Page 135 |
Page 136 |
Page 137 |
Page 138 |
Page 139 |
Page 140 |
Page 141 |
Page 142 |
Page 143 |
Page 144 |
Page 145 |
Page 146 |
Page 147 |
Page 148 |
Page 149 |
Page 150 |
Page 151 |
Page 152 |
Page 153 |
Page 154 |
Page 155 |
Page 156 |
Page 157 |
Page 158 |
Page 159 |
Page 160 |
Page 161 |
Page 162 |
Page 163 |
Page 164 |
Page 165 |
Page 166 |
Page 167 |
Page 168 |
Page 169 |
Page 170 |
Page 171 |
Page 172 |
Page 173 |
Page 174 |
Page 175 |
Page 176 |
Page 177 |
Page 178 |
Page 179 |
Page 180 |
Page 181 |
Page 182 |
Page 183 |
Page 184 |
Page 185 |
Page 186 |
Page 187 |
Page 188 |
Page 189 |
Page 190 |
Page 191 |
Page 192