calendar boy, boudoir style and when I started posting them on social media, they sort of became viral just off my Facebook page.
I’m curious, what was your first camera? I started with my Mom’s manual focus Canon SLR (with roll-film, mind you) and I’ve been partial to Canon cameras ever since.
Who were your influences as you were coming up in photography? The artist Boris Vallejo, Walt Disney, Victor Skrebneski, Robert Mapplethorpe and Helmut Newton.
What would you say is the most compelling thing about capturing an image for you? When I know the lighting hits the model’s physique ever so perfectly and when the model isn’t shy and is confident. When he is comfortable with his body and just knows he looks good in a pose…It becomes easy and natural to compose and capture a good shot.
What are the biggest challenges for you around photographing your aesthetic and when doing nudity? That all depends on the model. If you have a model with issues
about nudity and/or they have hang-ups about how and what poses they don’t want to do, it totally hinders the creative process. They’ve already pre-established obstacles. When that happens, the shoot becomes a bummer and I usually just want to end the session as quickly as possible. Another challenge is when a model wants to be ‘the artist’ on set, instead of allowing me, the photographer, to be the creative director. If the model just wants his own ideas captured, the shoot becomes stale. Of course, if the model is hiring and paying for the photography service, to capture exactly what he wants, then by all means. But, that changes the dynamic of things – because that just
MARCH 2017 | RAGE monthly 35
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64