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Table of Contents


Synopsis of the Iliad . . . . . . . . . . . . . . . . . . . . . page 3 Who’sWho in the Iliad . . . . . . . . . . . . . . . . . . . page 4 The TrojanWar: History orMyth? . . . . . . . . page 5 Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 7 Timeline of Ancient History. . . . . . . . . . . . . . . page 8 Homer:WhoWas He? . . . . . . . . . . . . . . . . . . . . page 10 That’s Epic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 12 The Story of Stories . . . . . . . . . . . . . . . . . . . . . page 14 A Solo for Two . . . . . . . . . . . . . . . . . . . . . . . . . . page 16 Does itMatter? . . . . . . . . . . . . . . . . . . . . . . . . . . page 18 The Changing Nature and Rules ofWar . . . page 21 TheWars of Human History . . . . . . . . . . . . . . page 23 Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 24


NYTW’s Education Initiatives provide access


to the vision andmethods of the artist, and enable audiences of all ages to participate in a community of dynamic learningwhere the developmental process, the inal production and the surrounding exchange of ideas have a profound impact on all involved. These initiatives strive to bring allmembers of our artistic family,which includes our audience members, closer to the creative process.


Aswe often collaboratewith artistswhose work takes risks and challenges theatrical forms, the artistic process at NYTWrarely follows a deined path. Our education initiatives embrace this iconoclastic approach, allowing us to craft each program and partnershipwith detail and creativity.


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If you have comments or suggestions, please e-mail Bryn Thorsson, Director of Education at brynt@nytw.org


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NYTW’s Education Initiatives aremade possible through the generous encouragement of Con Edison, the Pierre and TanaMatisse Foundation, the NewYork Community Trust, theMichael Tuch Foundation, the Tiger Baron Foundation, the Manhattan Borough President’s Ofice, the Ofice of CouncilMemberMargaret Chin and the NewYork State Council for the Arts- Empire State Partnership.


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