Starting off on acoustic guitar Doyle began writing and recording songs on


cheap cassette his recorders before time he had moved to electric. like


which he used to record some demos. However 14 that he got


first chance to record electric guitar.


“It was the blues that got me into playing


I was listening


and playing some acoustic People


Robert after of Jimi Johnson to


blues. and


Lightnin’ Hopkins and then I heard Buddy Guy and Muddy Waters and soon


gone way beyond the guitar and I always remember hearing version


the ‘Little


Winterland was got


an


playing I got


to concert Wing’ guitar from and in ‘68. So I


probably 10 or 11 when I electric


lead. A few years record


Fuse Studios


studio there.


here and I


some tracks in


Getting work Dublin. My


brother was running a record label and time


got some free to


in a


professional studio and seeing how tracks were produced was a great learning experience. I got about six or seven tracks from two sessions and I


copied them onto cassettes and sold them in school.”


Interestingly the producer on those sessions the his


time


was he


career Marc was and has Carolan. just since At


beginning gone


began later in


Hendrix. He had


live the


on to in a proper work the


getting his hands on a 4-track it was when he was studio. By this


with live some sound the of the


biggest bands in the world and is currently


that of


engineer


for Muse. Given the history it was very appropriate who mixed eight


‘Life in Shadows’. Soon after


Doyle turned a


had period


elsewhere during


those early his


which wasn’t his main focus.


“So when I was 16 I heard a track called house


Ron Trent. This


changed everything for me and within a few months I was listening to all of


this


Craig’s Larkin’s


Detroit techno music. Carl ‘Landcruising’


and


the two albums that made me want to


start making electronic music. I


got some equipment together – a sequencer, 8-bit sampler, 12-track desk


and


started that


guitar time but a drum producing machine tracks.


I was still my


main


playing focus


was and


During the


Kenny ‘Methapor’ were probably


‘Altered States’ by Chicago producer


it was Marc tracks on


musical which


recordings attention lead


to the guitar


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