This page contains a Flash digital edition of a book.
BUSAN 2011 NEW PROJECTS


Festival favourites of tomorrow


New features from Nonzee Nimibutr and Hur Jin-ho are among the


30 projects being pitched at the Asian Project Market.Jason Gray, Jean Noh, Liz Shackleton and Sen-lun Yu survey this year’s vintage


renamed this year to reflect the other changes at the festival. Its core mission remains to present a


T PROJECT PROFILES


27˚C — LOAF ROCKS (Tai) Dir Lin Cheng-sheng (pictured) Prod Maggie Kuang Synopsis A biopic about the early life of Taiwanese chef and bread-maker Wu Bao-chun. A friend


and mentor took Wu on a journey of flavours as well as a search for his own passion for love and life. Budget $1.5m Financing to date $750,000 from Taiwanese private investors The lowdown “This is my first time making a biopic and examining the bright sides of human nature, instead of the darker emotions in my previous films,” says Lin. “Besides the story of a poor boy becoming a gourmet bread-baker, I also wanted to visualise taste and flavour in films. I will add animation sequences to visualise the bread-making process.” Contact Lin Cheng-sheng ogsunfilm@gmail.com


ABIGAIL HARM (US-HK) Dir Lee Isaac Chung (pictured) Prods Samuel Gray Anderson, Eugene Suen, Pablo Thomas Synopsis Based on the Asian folktale The


Woodcutter And The Nymph, this project is a drama set in a post-apocalyptic New York. When a lonely young woman saves the life of a mysterious visitor, he tells her to take the robe of one of the angels who come down to earth to bathe — which


www.screendaily.com


effectively renders him helpless, earth-bound and open to love. Budget $300,000 Financing to date $110,000 from private investors The lowdown Chung plans to put an emphasis on dramatic performance. He will let seasoned actors including Amanda Plummer, Will Patton, Burt Young and Ayako Fujitani work with a written script but “improvise their movements through each scene so the camera is constantly keeping up with their performance”. Contact Eugene Suen eugene@almondtreefilms.com


ALIVE (S Kor) Dir Park Jung-bum (pictured) Prod Jang Kang-wook Synopsis A man who works in a traditional Korean soybean-paste factory has his dreams of building a home with the


woman he loves shattered. He leaves his village for Seoul where he goes through a fierce struggle to survive, becomes estranged from his older brother whom he sees as having given up on life, and eventually heads back home where the soybean paste is growing ripe. Budget $470,000 Financing to date TBA The lowdown From the director of The Journals Of Musan, winner of Busan’s New Currents Award (2010) and Rotterdam’s Tiger Award (2011), Alive was also one of the 2010 Asian Cinema Fund selections. Contact Luna HY Kim luna@finecut.co.kr


THE BERLIN FILE (S Kor) Dir Ryoo Seung-wan (pictured) Prod Kang Hye-jeong Synopsis A North Korean special agent works as a spy alongside his wife, who is an interpreter at the North Korean


embassy in Berlin. Under the surface, he must deal with suspicion, betrayal, power struggles and assassination. Budget $9m


Financing to date TBA The lowdown From the director-producer team of The City Of Violence and The Unjust, this project is backed by leading Korean investor/distributor CJ E&M. Tipped as a Korean ‘Bourne in Berlin’ story, local stars are reported to be vying for the lead role. Contact Kang Hye-jeong


ultra98@naver.com


CHOCOLIETTA (Jap) Dir Shiori Kazama (pictured) Prod Naokatsu Itoh Synopsis A student who lost her mother at a young age avoids human contact. When she joins a film club, she learns about her


mother’s past and opens herself to a new future. Budget TBA


Financing to date TBA The lowdown “With Fellini’s La Strada as a motif, the characters find a new lease of life through cinema,” says producer Itoh. The director’s previous features have screened in Berlin and Sao Paulo. Contact Mutsuko Kumagai kumakuma@argopictures.jp


October 2011 Screen International 21 n


he most established projects market in Asia, BIFF’s Asian Project Market, previ- ously Pusan Promotion Plan, has been


selection of works from new and established Asian film-makers looking for finance, sales agents and co-production partners. Many award-winning films, such as Lee Chang-dong’s Poetry and Turkish director Semih


Kaplanoglu’s Honey (Bal), received their start in Busan. This year’s line-up features a further crop of


potential festival favourites, along with some selected genre titles. n


s


»


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36