This page contains a Flash digital edition of a book.
August 2012 www.tvbeurope.com


TVBEurope 35 The Workflow


branding graphics for sequences such as coming up next, promo over credits, squeeze backs, multiple tickers, and so on. Beyond that, when the production’s flow is unpredictable, such as in election programmes, game shows, sports broadcasts, and other special events, 3DPlay provides a really workable solution.” Sharir describes 3DPlay as an action based, flexible, graphics controller that can perform graphics in a nonlinear way through the triggering of the selected action. “All the user has to do is arrange the created actions, put them into the relevant groups, and then place them in the relevant workspace to match the needs of the production. In some instances, these created actions can be dragged and dropped into a playlist and displayed as events.” These sequences can be


triggered manually by a standard keyboard or via a GPI/O, or through automation systems and interfaces, including Snell (Probel) Morpheus, Harris ADC 100 and D Series, Pharos and Pebble Beach. After a playlist is loaded, the automation programme integrates with 3DPlay to check the status of each event and to verify that all the relevant graphic elements — such as text, clips and textures — are available on the system. If any element is missing, the operator will be alerted, allowing sufficient time to remedy the situation. Where changes in content in


the playlist affect the graphics element, 3DPlay has the capability to check that the loaded information remains relevant. “This facility is especially useful where a graphic has a time or date dependency,” states Sharir. “For instance, before a ‘coming up next’ graphic is triggered by the system, the programme’s data is pulled automatically from the station’s traffic information and combined with graphics. In this way, only the most recent details and updated sequences are shown on-air.” Olivier Dusautoir, assistant


director in charge of broadcasting and networks at TF1, says the investment has proved very satisfactory. “This solution will last us for quite some time, with its many advantages in broadcasting as well as in production. There are no more operating errors, as was the case in the past.


Wireless HD video solutions


Experience more options and speed for live video transmissions by using digital COFDM links without compromises in reliability.


6-way high performance diversity Ultra low delay (40ms end-to-end) H.264 ready (MPEG4) TCP/IP Video out & remote control


BMS products are used on a daily basis by hundreds of customers involved in all kinds of live TV productions worldwide.


25 Years Experience in Wireless Video Transmission Phone: +49 6124 723900 | saleseurope@bms-inc.com


| www.bms-inc.com


DR6000 MK2 Diversity Receiver


The reliability of the HDVG system was cited by TF1 as a reason for the investment in Orad equipment


“Technicians can now play clips with the graphical overlay using the preview mode, before they are aired. On the master control room side, the operator can also see and preview the contents that are lined up for broadcast.


It’s all good news.” www.tf1.fr www.orad.tv www.harris.com www.snellgroup.com www.evertz.com www.pebble.tv


Thrilling


moments – fascinating


perspectives.


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68