SPAB members in profile
‘I like the rough houses!’ T
he Three Blackbirds in Ely is a stunning, grade II* house dating from the 13th
century.An observant passer-by might pick
up some clues about the age and significance of this long, mellow, brick building if they spotted its fine stone buttresses, traces of mullioned windows and mighty chimneys, but this is not a house that “wears its heart on its sleeve”. It’s not until its owner, SPAB
member ProfessorMartin Rudwick, follows his guests up a modest staircase leading to the great, vaulted sitting room on the first floor and listens to their gasps of surprise that the building truly reveals itself. “I feel very disappointed if people come up the stairs and aren’t gratifyingly impressed when they reach the top,” he says, adding: “I know it’s a worn phrase, but it really does have ‘the wow factor’ doesn’t it?”
THE Three Blackbirds is the perfect “nest” for a man whose distinguished and unusual academic career has encompassed both the sciences and the humanities. Since “retiring” from academic life, Prof Rudwick has certainly had more time to devote to his fascinating home, but the books and papers arranged about his impressive, beamy study demonstrate clearly that his studies and research continue. His particular academic interest centres on Darwin and his contemporaries and their impact on the history of scientific thought. Prof Rudwick was educated at
Trinity College, Cambridge, where he graduated in the 1950s with first class honours in natural sciences. He later received his
60 Cornerstone, Vol 32, No 2 2011
doctoral degree in paleo-zoology at Cambridge. He taught at the university’s department of geology until his growing interest in history of science was recognised by a rare crossover appointment to the faculty of the department of history and philosophy of science. He explains: “I became
increasingly interested in the history of what I was studying – and then I jumped ship to teach history and philosophy of science. It is unusual to move from a science to a humanity, but for me it seemed a very natural step.” The author of
He gestures to the room around
PROFESSIONALS TO THOSE MAINLY
academic books and collections of essays on what he describes as “the earth’s deep history”, he is currently writing an accessible book for non-specialist readers on the history of ideas about the relation between the earth’s history and our human place within it. Ely, striking distance from
INTERESTED IN AESTHETICS. MEMBERS ARE
PROPERTY, BUT ALSO IN ITS SOCIAL
HISTORY”
Cambridge, is the ideal base for this work. “I have an honorary position at my former department,” he says, “and I can use the libraries and archives at the university. Having been a student at Trinity College means you practically imbibe the architecture – it seeps into your being, which, partly, I am sure, explains why I am fascinated by buildings like this one.”
INTERESTED IN THE NUTS AND BOLTS OF A
WIDE RANGE OF PEOPLE, FROM
CORNERSTONE CATER FOR A
“SPAB AND
us. It’s not just the huge, lofty space that impresses his guests. In both the sitting room and in the adjoining study, there are complex and sturdy crown-post roofs that are recognised by architectural historians as being among the most significant early roof structures in the country. In the study, in particular – the upper part of the medieval hall, around which the building extended over the years – the rafters and braces date from1280. The Three Blackbirds is a remarkable survivor. When it was
built, probably for a prosperous Ely merchant, the house was already unusual as a high-status secular property in a part of the city distinct from the abbey and cathedral. Traces of intricate stonework and ghosts of mullioned
windows suggest a building intended to display wealth. The fine space now the sitting room was added a few decades later, possibly as a place to store the merchant’s stock – perhaps wool carried down the Great Ouse to King’s Lynn and traded with the Netherlands. The Three Blackbirds probably had its own landing quay. This connection with the
Netherlands is particularly apt, for the historic centre ofAmsterdam
An ancient house with real ‘wow factor’ – and a proud, caring owner whose life has been devoted to the study and teaching of mankind’s relationship with science, thought and history: in other words, a natural member of the Society. Kate Griffin travelled to Cambridgeshire to meet Professor Martin Rudwick
also played an important role in prompting the professor’s passionate and practical interest in old
buildings.After leaving Cambridge, he taught the history of science at the Free University inAmsterdam. “It is the most wonderful historic city and my wife and I bought a beautiful 17th-century house on one of the central canals, which was quite a contrast to the brutalist concrete campus on the edge of the city.”
PROF Rudwick recalls that he took great pleasure in carefully repairing that house. “I don’t think I was a SPAB member then, but, looking back, I think I had the right ideas and the municipal authority had good guidelines and regulations and encouraged us to do the right things.We revealed some wonderful original ceiling joists, for example, and that really fired my imagination.” He was particularly struck at
the time by the city authority’s enlightened view of “listed building” ownership. “When they applied the equivalent of council tax to a ‘monument house’ the rate was reduced in recognition of the fact that the maintenance and upkeep of the property added to the appeal of the city. They saw that as a civic contribution, and I still think that’s something we in this country could learn from. “With a house like this you
have continuous maintenance issues and you really have to keep on top of them. But I don’t mind,” he smiles. “I see this as my hobby.” After living in the heart of old
Amsterdam, Prof Rudwick’s next posts took him toAmerica, first to Princeton University, New Jersey, and then to the University of California, San Diego, where he
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32 |
Page 33 |
Page 34 |
Page 35 |
Page 36 |
Page 37 |
Page 38 |
Page 39 |
Page 40 |
Page 41 |
Page 42 |
Page 43 |
Page 44 |
Page 45 |
Page 46 |
Page 47 |
Page 48 |
Page 49 |
Page 50 |
Page 51 |
Page 52 |
Page 53 |
Page 54 |
Page 55 |
Page 56 |
Page 57 |
Page 58 |
Page 59 |
Page 60 |
Page 61 |
Page 62 |
Page 63 |
Page 64 |
Page 65 |
Page 66 |
Page 67 |
Page 68 |
Page 69 |
Page 70 |
Page 71 |
Page 72 |
Page 73 |
Page 74 |
Page 75 |
Page 76 |
Page 77 |
Page 78 |
Page 79 |
Page 80 |
Page 81 |
Page 82 |
Page 83 |
Page 84 |
Page 85 |
Page 86 |
Page 87 |
Page 88