This book includes a plain text version that is designed for high accessibility. To use this version please follow this link.
Her images, both two and three dimensional, all share an earthy and symbolic quality, many depicti animals in states of blissful activity. Some are quiet, many are bursting with energy, as is Angela hers


It turns out that as a coach and teacher, Angela also conducts a series of podcasts, “The Daring Dream an internet radio show, idareyouradio.com, interviewing personalities in and related to, the art wor creative folks, but also inspirational business mentors that can help artists find balance and success. very graciously offered to interview another woman sculptor, Carol Gold and share that interview w warm and joyful figures, is created by building up with wax that is then used to create molds for bro she discusses her use of simplicity and balance and it’s here that I found the sculptors to overlap. You interview on the next few pages, both in text and sound. You can also read an article about Carol as the Month on the IAWS website, HERE.


Angela Lyon Speaks with Carol Gold


Angela: Hi, this is Angela Treat Lyon with the International Association of Women Sculptors. I welcome you to today’s interview. I’m speaking with Carol Gold, who can be found at CarolGoldSculpture. com, and we’re going to be discussing outdoor sculpture - where to look for it, what to do with it once you’ve got it, how to take care of it, and all kinds of other interesting questions that you may not have thought about.


So Carol, welcome. I’m so happy to have you with me today.


Carol: Well thank you. I’m enjoying talking to you.


Click HERE to listen to the entire interview on the I Dare You Radio podcast.


Angela: When you did your first public sculpture, you were talking about how you entered a competition. Why don’t you tell us about that.


Carol: I got that commission by applying to a competition. And I was chosen, and proceeded to have the piece enlarged and then cast. And I didn’t know what I was doing, and there were disasters along the way.


Angela: Oh, no.


Carol: Oh, yeah. I went through three foundries. One of them went out of business while they were in the middle of my project.


Carol: I ended up spending way more than what the commission paid to get it done. It did get installed. Then, there was a problem installing it because I wasn’t there for the base.


www.artizenmagazine.com 36


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57
Produced with Yudu - www.yudu.com