Directory
A quick glance
When shooting green screen for this
A-Z guide to
children’s DVD producer Zoe Uffindell was
who is shooting
impressed by the Z1’s clarity of image
with Sony’s HD DEVIL’S BRIDGE
SHOOTING
cameras and
Camera used PMW-EX3
Camera supplied by Mitcorp
the types of
Production company
WITH SONY
productions
Dogs of Annwn
they are being
The EX3 enabled DoP Simon Poulter to
shoot a film that would do justice to the
used for big screen on a limited budget
See page 26 (XDCAM case studies)
DUDE! WHERE’S MY MUSIC?
ALEX STOBBS AND THE ST Camera used HDC-1500 Production company Camera used HVR-Z7E
MATTHEW PASSION Camera supplied by Big Earth Camera supplied by
Camera used HVR-Z5E Direct from Sony The camera allowed the team to get Proactive UK
Camera supplied by Production company closer into action driven sequences for Production company
Procam Television North One Television the series following Charley Boorman’s Farcical Vérité
Production company The HDC-1500 was one of the models travels using different modes of transport Director Ravi Parsan found the camera
Walker George Films used to capture the speed of the urban See page 10 (The Producer Gallery) could cope shooting live gigs or
The HVR-Z5E was a perfect choice for sport of freerunning in Trafalgar Square interviews for this rock documentary
filming in a large concert hall with low- for live coverage on BBC3 CLIMATE AND CIVILISATION See page 29 (HDV case studies)
light for this More 4 documentary Camera used PDW-700
See page 28 (HDV case studies) BDA OFFICE MOVE FILM Camera supplied by Mitcorp ENGLISH LANGUAGE
Camera used PMW-EX3 Production company TRAINING DVD
ANCIENT DISCOVERIES Camera supplied by Wildfire TV Camera used HVR-Z1E
Camera used HDW-F900R Procam Television The robust build of the PDW-700 was Production company
Camera supplied by Production company needed when filming this Channel 4 Raya Films
Top-Teks Bruce Dunlop & Associates history series in extreme environments Director James Smith chose the Z1E for
Production company This internal film to promote BDA was See page 13 (The Producer Gallery) speedy workflow on a busy shoot day
Wild Dream Films shot on a budget and edited whilst on when quality was paramount
The F900R’s size and speed of the move CREIFF HYDRO HOTEL
operation impressed Wild Dream Films PROMOTIONAL FILMS FLYING LEGENDS AIR SHOW
when shooting this history series THE BOY AND THE CAT Camera used PDW-700 Camera used PDW-F800
See page 19 (HDCAM/SR case studies) Camera supplied by Mitcorp Camera supplied by
Production company Direct from Sony
THE ASGARD PROJECT Studio Scotland Production company
Camera used PMW-EX1 The PDW-700’s low light capabilities Adrenalin Television
Camera supplied by VMI helped when capturing marketing Cameraman Alister Chapman chose the
Production company material for a Scottish hotel new PDW-F800 to film Flying Legends
Posing Productions See page 25 (XDCAM case studies) at the Imperial War Museum, Duxford
The EX1 was light enough to carry
whilst climbing and trekking when Camera used PMW-EX3 DANCE LIKE THE FLOWER FOOTLOCKER PRODUCT
filming climber Leo Houlding Camera supplied by FAIRIES DVD FILM
See page 23 (XDCAM case studies) Visual Impact
Production company
BARCLAYCARD WORLD Not The Productions
FREERUN CHAMPIONSHIPS As the budget was small, DoP Jamie
Kennerly considered shooting this film in
SD. But the EX3 provided such
affordable HD he chose it instead
BY ANY MEANS Camera used HVR-Z1E Camera used
Camera used HXR-MC1P Camera supplied by Mitcorp PMW-EX1
Camera supplied by Production company Production company
Direct from Sony Khaki Films Connected Pictures
14 theproducer Autumn 2009
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