“ My Japanese culture is a huge influence in what I do. Japanese design is very simple but dynamic. There also is a sequence to the design and how rooms flow. Buildings go from dark to bright and nature is always included. Natural light is a big factor, and screens are used to let light in and to invite nature into a space. I always incorporate these characteristics into my work in this country.”
Michael Marshall and Paola Moya attended the World Humanitarian Summit’s 2016 Exhibition Fair in Istanbul in May 2016 to showcase their Urban Plan for Internally Displaced People for people in Cartagena, Colombia.
- Yoshio Inazumi, Project Manager at Marshall Moya Design
United Stadium, the Washington Wizards’ new practice facility, and various projects for MGM Resorts Interna- tional (MGM).
The company’s branding division is a unique entity, created as a way to further enhance a client’s vision. The graphic design team makes logos, signs and marketing materials that coordinate with a project’s overall design intent. At the MGM National Harbor venue in Prince George’s County in Maryland, for instance, the team was asked to design a food hall inspired by an outdoor food market. The firm’s process was to name/baptize the project and design a logo for it. Through the logo, the branding began where the colors and textures on the food hall’s walls, floors and fur- niture are as vibrant and real as the international culinary experiences that inspired the space.
“Our greatest strength is the depth of our designs, which comes from our expertise,” Moya says. “It serves us really well when we do more than just architecture or interi- or design.”
Yoshio Inazumi, Project Manager at Marshall Moya Design.
Yoshio Inazumi is a Project Manager with the firm. A native of Tokyo, Japan, Inazumi worked at Michael Mar- shall Architecture before taking his talents to another firm for several years. In May 2016, he returned to Mar- shall Moya Design so he could work on a diverse portfolio of projects. “Marshall Moya has so many different types of projects with different kinds of buildings. I like to work on everything. Residential, schools, theaters, stadiums. I don’t do just one thing,” he says.
Of course what Inazumi designs is influenced by his Jap- anese heritage, but it is his exceptional connection with people—stemming from his multicultural background— that makes him an asset and unique architect.
Inazumi believes it is tough for clients to visualize what they truly want. He finds early meetings to be vital because it is where he can tap into understanding a cli- ent’s desires. Inazumi says he always presents a few options to clients, and during presentations he watches clients’ facial expressions and reactions. He feels their
10
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