green living
designer and instructor at the Norfolk Botanical Garden, in Virginia. Farmers’ markets, community supported agriculture CSAs and pick-your-own farms are all great places to find locally, sustainably grown flowers, according to Jentz. To select for long shelf life, look for fresh-looking stamens and foliage, and firm heads on flowers. Mums, carnations and asters will last up to three weeks, says Galway. When selecting flowers, Ami
FLOWER WOW-ER Beautiful Floral Designing by April Thompson F
resh-cut flowers can elevate a space with color, scents and textures that draw the eye and nose, but
professional floral designs can be pricey. DIY arranging, however, is an easy, fun and inexpensive creative outlet that can also help cultivate mindfulness. Flower arranging is more than just a decorative art; it’s a spiritual activity that helps create a kinship with nature and merge the indoors and outdoors. Ikebana, the Japanese art of flower
arranging, dates back to the seventh century, when floral offerings were made at Buddhist altars, according to Jeanne Ha, owner of the Washington Flower School, in Takoma Park, Maryland. In the 16th century, Japanese samurais practiced flower arranging prior to combat to help calm them and stay centered, a stress- reducing activity most of us can benefit from today. “Seasonal flowers are an important element of Ikebana,” says Ha, part of a longstanding Japanese tradition of appreciating plants and flowers throughout the four seasons.
16 Central Florida
www.NACFL.com
The good news is you can’t mess up flowers.
~Kathy Jentz
Finding a Floral Style As with any artistic medium, creative choices are important in floral arranging. We can opt for a fussy, formal style, a rustic farmhouse look or a modern, asymmetrical design. “The good news is you can’t mess up flowers. Whether multidimensional or one- sided, monochromatic or multicolored, you really can’t go wrong,” says Kathy Jentz, publisher of Washington Gardener Magazine and a flower arranging instructor in Silver Spring, Maryland. Like a good meal, the ingredients
of a bouquet are as important as how they are assembled. Start with organic, pesticide-free buds. “Look for local, seasonal flowers, which will be fresher and last longer than those flown in,” says Betty Ann Galway, a certified floral
Wilber, floral and event décor designer at the Washington, D.C., Hillwood Estate, Museum & Gardens, recommends starting with a color scheme, whether limiting the palette to one or two colors, using analogous colors like pinks and purples or selecting complementary colors like blues and oranges. “It’s also good to find a focal flower or a show-stopper that will immediately draw attention to a bouquet,” says Wilber. Prepping the flowers before
arranging will also prolong an arrangement’s longevity, including cutting stems diagonally to provide more surface area for water, suggests Jentz. She also recommends plunging flowers into cool water immediately after trimming their stems. Leaves pump water up the stem, so leave a few on while clearing those from the bottom that would otherwise be submerged in water, adds Galway. There are many ways to create
structure for an arrangement, most of which is often hidden. Wilber stuffs chicken wire into an opaque container and then tapes down the top with a grid of floral tape to provide more control over the direction of the stems. Ha uses floral foam, soaked to provide hydration, into which stems can be inserted at any angle to create a gravity- defying design. Different styles of arranging draw
from different principles, but many common rules of thumb apply; for example, using odd numbers of each type of flower and adding in the largest flowers first to create an anchor for the composition. For a rustic, farm-to-table
Daria_Cherry/
Shutterstock.com
Page 1 |
Page 2 |
Page 3 |
Page 4 |
Page 5 |
Page 6 |
Page 7 |
Page 8 |
Page 9 |
Page 10 |
Page 11 |
Page 12 |
Page 13 |
Page 14 |
Page 15 |
Page 16 |
Page 17 |
Page 18 |
Page 19 |
Page 20 |
Page 21 |
Page 22 |
Page 23 |
Page 24 |
Page 25 |
Page 26 |
Page 27 |
Page 28 |
Page 29 |
Page 30 |
Page 31 |
Page 32
