Looking ahead, he sees his sound evolving in new directions while staying true to its core philosophy:


“My philosophy is about accuracy and connection: I need to translate my ideas into sound in the most accurate way possible. I believe that music is a perfect mirror, reflecting one’s emotions, concepts, and feelings.”


The next decade holds exciting possibilities:


“I want to collaborate with a wider spectrum of artists. I’d like to do more full band shows, evolve that into an immersive show with visuals, and keep exploring other types of grooves. And, of course, more albums—I am already dreaming about the next one.”


MY THOUGHTS


Roderic isn’t just making music—he’s blu- rring the lines between sound and emotion. His album, In Mind, is one of those rare works that doesn’t just ask to be heard—it demands to be felt. It’s deep and reflective, yet it moves, breathes, and shifts with an energy that keeps you locked in. The rhythms pulse with life, the textures unravel like stories, and there’s an undeniable sense that this album isn’t just a collection of tracks, but a carefully constructed narrative of introspection.


There’s something uniquely magnetic about Roderic’s sound. He doesn’t rely on trends or gimmicks. Instead, he trusts in his craft, in his ability to channel emotion through sound in a way that feels both intentional and effortless. You hear it in the warmth of his instrumentation, in the way he layers organic elements with electronic precision. His Latin roots are not just an influence; they are woven into the DNA of his music, shaping the rhythms, the melodies, and the almost spiritual depth that runs through In Mind.


And then there’s Ráfaga—a single that, quite honestly, stops you in your


introspection turned into melody, a masterclass in translating raw emotion into music. This isn’t just a song; it’s an experience. It moves like a thought process unfolding in real time, revealing different layers of vulnerability and strength with every listen. Few artists manage to create something that feels both deeply personal and universally relatable, but here, Roderic nails it.


As the album progresses, tracks like Cielo Azul and Now take that same emotional honesty and give it a different dimension. There’s something ancestral in these compositions—an old soul speaking through modern production.


acoustic and analog quality of the instruments infuses the music with a kind of wisdom, a reminder of something timeless that we, in the rush of everyday life, may have forgotten. These songs feel less like creations and more like discoveries—messages that were always there, waiting to be translated into sound.


mixmaglatam.com The tracks. Its


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14