than validation; it’s a reminder


importance of mutual support among peers. It’s the same support he sought in his early days, scouring sets for gems.


of the hidden


“It really is a great feeling to see these amazing artists that I look up to supporting the label. I think there is no better feeling than this. It really just keeps me motivated and focused on the plan. Makes me feel


are on the track and this is only the beginning. One thing I’ve always seen and recognized as important is the support between DJ colleagues. In my early days I’d go through their sets trying to find nuggets from little labels to help propel my own sets. When selectors like the Bros, Marco, and Jamie take a shine to one of my records it reminds me of the times that I was looking for those secret gems too. It helps me remain focused and that my choices are good the more and more big stages these records get played on.”


THE OPENING ACT’S SIGNIFICANCE


Jean Pierre understands the opening act’s power. It’s not a mere warm-up; it’s an opportunity to set the vibe and tone for the night ahead. His sets are synonymous with serious grooves and bass-heavy beats, preparing the audience for a journey that transcends the ordinary.


¡Gracias por leernos! Y recuerda, ¡la música es el idioma del alma!


“A lot of DJs take opening as a slight. For me, it’s the most important part of the night. You establish the vibe, the tone and get people prepared for the journey ahead. I take opening these events very seriously and understand that it is a platform to really showcase my work along with the work of those I’m trying to put on. You can always expect serious grooves and lots of bass.”


SOUTH STAR STUDIO: A CREATIVE OASIS


South Star Studio in Miami isn’t just a place; it’s a creative oasis. Artists like Danny Tenaglia and Joseph Capriati have graced its halls, resulting in collaborations that transcend the boundaries of time and experience. For


offering a safe space where artists can create freely, learn, and inspire one another.


“I used to see and hear about different stu- dios across the world that artists would drop in and collaborate on a whim. To me that felt like heaven and I wanted to try and create that for myself. It’s one thing to play with someone like Danny who I’ve respected long before I got to this point in my career, but it’s another to sit


Jean Pierre, it’s about like we


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