Page 41


This Page, above, Seeding, pen and ink on paper, 17.5” x 23” Following Page, Jewel Tree, pen and ink on paper, 12.5” x 9.5” Following Page 2, top, Blue Barns, pen and ink on paper, 6” x 9” Following Page 2, bottom, Barnyard Shadows, pen and ink on paper, 5” X 8” Following Page 3, Wind Break, pen and ink on paper, 14” x 10”


The contrast of natural and technical is very apparent in his pieces. Employing pen and colored inks in a self-taught neo-pointillist technique, Dignan conjures up the landscape of British Columbia precision.


in stylized compositions that project a synthesis


of sensuality and The bold quality of line work contrasts marvellously with the soft hues of Dignan’s


pointillism, achieved through an individualized selection of colors rather than the palette of primary colors used in traditional pointillism. His draftsmanship is meticulous as he approaches his work with an innate ability to fully express his mood through his innovative style of pointillism, color saturation, and original composition.


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