the big issue


Cruise TV shows – you can’t escape them. As soon as Supercruising: Life at Sea – Holland America Line’s eight-part series set on ships Nieuw Statendam and Rotterdam – finished airing in August on Channel 4, another season of The Cruise: Fun-Loving Brits at Sea began on Channel 5 in late September. The fly-on-the-wall hit spent its first


season with Princess Cruises but the mantle has now passed to Ambassador Cruise Line, with episode-linked offers for agents to promote across the 20-part daytime series. Meanwhile, Mystery Voyage, a reality


show filmed on board Virgin Voyages’ newest ship, Brilliant Lady, will sail on to our screens before 2025 is out. One thing is certain: the appetite for


cruise TV shows is there. But do they help drive bookings?


SHOW BUSINESS According to Chris Townson, managing director for the UK and Europe at Uniworld – the luxury river cruise line that took centre stage during a two-part episode of Susan Calman’s Cruise of a Lifetime, broadcast on Channel 5 at the start of the year – the answer is ‘yes’. “In the week after [the programmes]


aired, we saw an increase in organic search of over 400%, a 77% increase in web views and a 45% increase in newsletter sign-ups,” he says. “Importantly, we have also seen a


year-on-year increase of over 200% in bookings and nearly 300% in revenue for our India product [the subject of the two episodes] specifically.” It’s a view shared by Sarah Fowler,


marketing director at Riviera Travel, another line that played a starring role in the Scottish comedian and presenter’s popular cruise programme. During another two-parter that aired in 2024,


travelweekly.co.uk/cruise


Calman travelled along the Douro River on board Douro Elegance. The result? “A 100% uptick versus the


prior year for our Douro itinerary in the two weeks following the shows,” says Fowler. “The exposure also generated countless conversations with our audience and contributed to the Douro being one of our top-selling itineraries for 2024.” Calman has also featured other lines


in recent episodes, including Emerald Cruises in the Caribbean and Fred Olsen Cruise Lines in Norway.


BRAND AID Clearly, when a cruise TV show succeeds, it not only builds brand awareness but also yields profits – something to


good case in point. Karen Farndell, the line’s associate vice-president of sales and marketing for the UK and Ireland, says since the series concluded, Holland America has seen “a really encouraging uplift in website visits, in particular with people looking at cruises to the featured destinations such as the Panama Canal, Caribbean and Canary Islands”.


Contact customers and recommend they tune in – and don’t forget to watch the shows yourself, so you have a good understanding of the experience


which Paul Beale, sales vice-president for the UK and Ireland at Regent Seven Seas Cruises, can attest. Two of the ultra-luxury line’s ships – Seven Seas


Splendor and Seven Seas Explorer – were WKH IRFXV RI &KDQQHOb VKRZV Secrets of the World’s Most Expensive Cruise Ship (2023) and Building the World’s Most Luxurious Cruise Ship (2016) respectively. “Following the programmes, we


saw an uplift in enquiries and web traffic, and to this day, we meet guests on board who tell us they were inspired to book after watching the shows,” says Beale. Holland America’s recent Supercruising: Life at Sea is another


GREAT EXPECTATIONS Of course, TV success means that there are now expectations on agents to maximise interest and turn viewers’ curiosity into a confirmed booking. Make no mistake: inspiration without a clear next step rarely leads to action. Tracy Clenshaw, head of commercial at Fred Olsen Travel, has this advice for agents: “Contact your customers ahead of time and recommend they tune in – and don’t forget to watch the shows yourself, so that you have a good understanding of the product and experience. “Go all out on social


media at the time of transmission and utilise compelling calls to action.


Craft an engaging email campaign – don’t ‘spray and pray’ – that provides transparent pricing. And be sure to respond rapidly to any enquiries.” Paul Frost, meanwhile, head of product


at Iglu Cruise, stresses the need for high-quality visuals and content “which not only attracts visitors but also helps build trust – essential for conversion”. His advice to agents ahead of the next


wave of cruise TV shows? “Reach out to the respective cruise line for assets and information you can use now.” In other words, get a move on or – pardon the pun – risk missing the boat.


October 2025 9


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