disappear into the landscape, and its narrow plan with high-level openings makes the most of natural ventilation, lessening the risk of overheating in the summer months. nderfl oor heating was laid throughout and connected to an air source heat pump, with additional power supplied by photovoltaic panels hidden on the roof. The predominantly timber construction


results in a very low impact and low energy house. Controlled openings to the south, with heavyweight fl oor and surface fi nishes, store warmth from passive solar gain which is released slowly during the cooler parts of the day and night. “As an environmentally focused practice, we


relish taking on Paragraph 84 schemes as they offer a chance for us to really push the ecological credentials of a design,” says architect Wilf Meynell. “Paragraph 84 is an exciting piece of policy, and we’re pleased that it exists to protect the countryside, yet also provides creative possibilities for the very best that architecture can offer.” With its square form, high ceilings, and elongated windows, the building was constructed on different levels, with lower, more intimate spaces such as the snug creating contrast. Once the interiors had been plastered, the couple fi nished this with a mistcoat of white paint for a clean feel. ard fl ooring was laid downstairs, and birch panelling creates a feature wall in every room. “I admire the simple, pared-back, modern designs of architect John Pawson, and wanted to keep the interiors as minimalist as possible after visiting an exhibition of his work which was just so peaceful,” says Clare. “Before now, we always had period properties and are still trying to reduce our belongings to create a less busy feel.” As guardians of the site and passionate gardeners it was important to Clare, and


especially her husband, that the landscaping would be sensitively developed and central to the project. Studio Bark collaborated with local ecologists, Torc Ecology, to create a light touch proposal that would enhance the site, encouraging new fl ora and fauna through carefully selected planting of fruit trees and wildfl owers. An indigenous orchard was a particular request, and vegetables are also grown on the plot. The surrounding meadow remains untouched


around the house, with only a small margin framing the timber building, and grass paths lead to the pond and the newly planted orchard. A small stream runs through the fi eld, and the boundary hedgerow has been repaired and infi lled, with oak trees planted and a willow on the stream’s edge. Access to the 125m2


house is just a farm


track with a gate at the end, and fences were prohibited by the planners to allow the free fl ow of wildlife. “I feel as though I’m living in their world at times, watching birds of prey, hares, deer, butterfl ies and dragonfl ies, remarks Clare. “Our upstairs hidden terrace creates a private space where we can enjoy views upwards of both the sky and birds in fl ight, as well as the wildlife that visits the site. oonlight fl oods the house at night, and bats circulate the courtyard at dusk.”


The couple even decided to keep their upstairs bathroom window as clear rather than frosted glass as the plot is so private, and the window overlooks nearby woodland. “The house is such a clever design, opening to its natural surroundings with views of the majestic oak- framed fi elds and intree Woods beyond, says Clare.


“A friend commented that they would never be able to get anything done living here, because they would always be stopping to stare out of windows at the view. You really do feel totally immersed in the countryside.”


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