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GLOSSARY AND RESOURCES NUANCE: CANONIZE: IAMB: PROMONTORY: QUINTESSENCE: ANNIHILATED: AUGURY: RESOURCES


Alevine. “Shakespeare in Translation.” Folger Shakespeare Library, Folger Shakespeare Library. Web. Accessed 25 June 2018.


Bernhardt, Sarah. “My Double Life: The Memoirs of Sarah Bernhardt.” Gutenberg, Project Gutenberg. Web. Accessed 17 July 2018.


Berton, Pierre, and Basil Woon. Sarah Bernhardt as I Knew Her: the Memoirs of Madame Pierre Berton. Hurst & Blackett, 1923.


Blume , Mary, and International Herald Tribune. “Sarah Bernhardt and the Divine Lie.” The New York Times, The New York Times, 7 Oct. 2000. Web. Accessed 17 July 2018.


Brine, Adrian, and Michael York. A Shakespearean Actor Prepares. Smith and Kraus, 2000.


Castle, Terry. "Adieu, madame." Rev. of Sarah: The Life of Sarah Bernhardt, by Robert Gottlieb. London Review of Books, 32.21, 2010, p11-15. Web. Accessed 10 July 2018.


Cote, David, et al. “The 25 Best Shakespeare Movies of All Time.” Time Out New York, Time Out , 4 Mar. 2016. Web. Accessed 10 July 2018.


Currier, Charles F. A. Constitutional and Organic Laws of France [1875-1889]. Vol. 3, Annals of the American Academy of Political and Social Science, 1893.


Dispatch, Cable -- Exclusive. “From the Archives: Face of Great Actress Subtle Even in Death.” Los Angeles Times, Los Angeles Times, 28 Mar. 1923. Web. Accessed 10 July 2018.


DuBose, Estelle CliffsNotes on Cyrano de Bergerac. Web. Accessed 05 Jul 2018.


“Drama.” The Academy and Literature, A Weekly Review of Literature, Science and Art. Volume 51, June 26, 1897, p 657. Google Books. Web. Accessed 10 July 2018.


Estill, Laura, and Eric Johnson. “Fun International Facts about Shakespeare.” British Council Worldwide, British Council, 19 Mar 2015. Web. Accessed 10 July 2018.


“Expo 1900 Paris.” Official Site of the Bureau International Des Expositions, Bureau International Des Expositions. Web. Accessed 10 July 2018.


Fisher, David James. “The Origins of the French Popular Theatre.” Journal of Contemporary History, vol. 12, no. 3, 1977, pp. 461–497.


Gardner, Lyn. “Pretty Woman.” Theatre. The Guardian, 5 March 2003. Web. Accessed 10 July 2018.


“Geena Davis Inclusion Quotient: The Reel Truth: Women Aren’t Seen or Heard.” Geena Davis Institute on Gender in Media. 22 Jan. 2018. Web. Accessed 17 July 2018.


Grescoe, Taras. “Secrets of The Paris Metro.” The New York Times, 19 Nov 2000. Web. Accessed 10 July 2018.


Havens, George R. “Romanticism in France.” PMLA, vol. 55, no. 1, 1940, p. 10.


Hemmings, F. W. J. The Theatre Industry in Nineteenth-Century France. Cambridge University Press, 2006.


Hicks, Peter. “Napoleon and the Theatre.” Napoleon.org, Fondation Napoleon. Web. Accessed 10 July 2018.


Jullian, Philippe. “La Belle Époque.” Metropolitan Museum of Art Publications, The Metropolitan Museum of Art, 1982. Web. Accessed 10 July 2018.


“Literary Translation: Problems and Perils.” OxfordWords Blog, Oxford University Press, 11 Jan. 2017.


Lloyd, Sue, and Susan M. Lloyd. The Man who was Cyrano: A Life of Edmond Rostand, Creator of Cyrano de Bergerac. Unlimited Publishing, 2002, p 122. Google Books. Web. Accessed 10 July 2018.


Mabillard, Amanda. “Shakespeare's Sources for Hamlet: Ur-Hamlet, Revenge Tragedy, and the Danish Tragedy.” Shakespeare Online, Shakespeare Online, 2000. Web. Accessed 10 July 2018.


“Maurice Rostand.” IMDb, IMDb.com. Web. Accessed 17 July 2018.


Mayeur, Jean-Marie, and Rebérioux Madeleine. “Preface to Part I.” The Third Republic from Its Origins to the Great War: 1871-1914. Cambridge Univ. Press, 1989, pp. 3–4.


McCormick, John. “Introduction.” Popular Theatres of Nineteenth-Century France. Routledge, 2011. 22 ROUNDABOUT THEATRE COMPANY


"MOTHER AND SON COMBINE ON PLAY." New York Times (1857-1922), Jan 05 1913, p 1. Web. Accessed 5 July 2018


“Mucha, Alphonse - PL. 166 - La Samaritaine - Sarah Bernhardt.” Yanef International Gallery. Web. Accessed 10 July, 2018.


Mucha Foundation. “Alphonse Mucha Timeline.” Mucha Foundation, muchafoundation.org. Web. Accessed 10 July 2018.


Mucha Foundation. “BIOGRAPHY OF ALPHONSE MARIA MUCHA.” Mucha Foundation, muchafoundation.org. Web. Accessed 10 July 2018.


Mucha Foundation. “Sarah Bernhardt.” Mucha Foundation. muchafoundation.org. Web. Accessed 10 July 2018.


“Now Erotic: Passion & Desire.” Salaì Head of Chris ||| Old Master Paintings ||| Sotheby's n08282lot3h2h3en, Sothebys.com. Web. Accessed 17 July 2018.


“ROSTAND’S NEW PLAY A SUCCESS.” New York Times, March 16, 1900. TimesMachine. Web. Accessed 10 July 2018.


“Sarah Bernhardt - Pink Double Peony / Paeonia Lactiflora - Kelways.” Kelways - Since 1851. Web. Accessed 17 July 2018.


“Sarah Bernhardt.” Hollywood Walk of Fame. Hollywood Chamber of Commerce, 2018. Web. Accessed 17 July 2018.


“Shakespeare's Theater.” Folger Shakespeare Library, Folger Shakespeare Library , 17 Feb. 2015. “Shakespeare in Translation.” Folger Shakespeare Library, Folger Shakespeare Library, 25 June 2018.


“Shakespeare in Translation Podcast Transcript.” Folger Shakespeare Library, Folger Shakespeare Library, 25 June 2018.


Sanjuan, Agathe. “About the Comédie-Française.” Translated by Jeffrey Ravel, About the Comédie- Française - Comédie Française Registers Project. muchafoundation.org. Web. Accessed 10 July 2018.


Schuessler, Jennifer. “Translating Shakespeare? 36 Playwrights Taketh the Big Risk.” The New York Times, The New York Times, 30 Sept. 2016. Web. Accessed 10 July 2018.


Shakespeare, William. Hamlet, Prinz Von Dännemark: Ein Trauerspiel in fünf Aufzügen. 1788. Shapira, Elana. “Sarah Bernhardt.” Jewish Women's Archive. Web. Accessed 17 July 2018.


Shudofsky, M. Maurice. “Sarah Bernhardt on Hamlet.” College English, vol. 3, no. 3, 1941, pp. 293–295. JSTOR. Web. Accessed 10 July 2018.


Skinner, Cornelia Otis. Madame Sarah. Houghton-Mifflin, 1967.


Stone, George Winchester. “Garrick's Long Lost Alteration of Hamlet.” PMLA, vol. 49, no. 3, 1934, pp. 890–921. JSTOR. Web. Accessed 10 July 2018.


Taranow, Gerda. Sarah Bernhardt: The Art Within the Legend. Princeton University Press, 1972. Google Books. Web. Accessed 10 July 2018


The Demographics of the Broadway Audience 2016-2017 Season. The Broadway League, 2018, pp. 32–33.


The Editors of Encyclopaedia Britannica. “Benoît-Constant Coquelin.” Encyclopaedia Britannica, Encyclopædia Britannica, Inc., 24 Nov. 2011. Web. Accessed 10 July 2018.


The Editors of Encyclopaedia Britannica.. “Cyrano de Bergerac.” Encyclopaedia Britannica, Encyclopaedia Britannica, Inc, April 27, 2015. Web. Accessed 10 July 2018.


The Editors of Encyclopaedia Britannica. “Edmond Rostand.” Encyclopaedia Britannica, Encyclopædia Britannica, Inc., 25 Mar. 2018. Web. Accessed 10 July 2018.


The Editors of Encyclopaedia Britannica. “Franco-German War” Encyclopaedia Britannica, Encyclopædia Britannica, Inc., 12 July. 2018. Web. Accessed 17 July 2018.


Williams, Holly. “Culture - Sarah Bernhardt: Was She the First 'A-List' Actress?” BBC News, BBC, 15 Dec. 2017. Web. Accessed 17 July 2018.


A subtle variation


In playing Hamlet, Sarah believes it is less important to perform his masculinity than to show the nuance of his heart.


To treat as illustrious, preeminent, or sacred, often after death Hamlet speaks of his deceased father’s canonized bones, implying that the church sanctioned and honored the dead king.


In iambic pentameter, a “foot” consisting of one unstressed syllable and one unstressed syllable Constant explains how he pays attention to the iambs when speaking Shakespeare.


A high point of land that protrudes out into a body of water Hamlet refers to the earth as being a sterile promontory, expressing his melancholy.


The most essential and elemental aspect of something Ruminating on humanity, a depressed Hamlet concludes we are simply the quintessence of dust.


Completely obliterated or destroyed Edmond says that Sarah annihilated his plays.


An omen that tells of what will happen in the future Hamlet says he defies augury; that is, he does not believe in superstition.


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