JOHN HARRINGTON (Stephen Forsyth) requires wedding apparel as a talisman for murder in IL ROSSO SEGNO DELLA FOLLIA.
UBLISHED FILMOGRAPHIES of Mario Bava’s work disagree about the order in which his next two films—Il rosso segno della follia and Four
Times That Night—were produced and released. Both productions were troubled, and neither film would re- ceive a general release until years after it was com- pleted. However, by comparing the various recollec- tions of those involved, it is possible to reconstruct the likely order of events.