This page contains a Flash digital edition of a book.
CO-CREATE: BOMBAY SAPPHIRE


Bombay Sapphire commissioned the creation of the company’s fi rst dedicated distillery


as the Palm House at Kew Gardens – right down to smaller items like the glass cloches you put over plants. We combined the lan- guage of the glass cloche with the elegance of the Victorian glass house and brought it to the 21st century by applying the most innovative glass technology. The structure of Victorian glasshouses is integral; the glass and the ironwork work together structurally. A lot of modern glass architecture can be very cold, with perfect glass cubes, seamless joints and micro- scopic spider fi xings. We enjoyed the idea of doing something different from that and creating a very contemporary glass struc- ture that isn’t afraid of the steel that goes into it, and using that steel to accentuate the form of the glasshouses.”


Who advised you on the heritage aspects of the development and design? Will Brix, Bombay Sapphire: “We worked extensively with English Heritage, the conservation offi ce and the local community. When we came here, there was no archive to consult, because the previ- ous occupants made bank notes, so everything had been destroyed for security reasons. “We wanted to know what had happened on the site and to compile an archive. We’d heard stories but had to verify them ourselves, so we hired an archivist. Local people were really happy that was happening and were very willing to talk to her. This enabled us to


98 CLADGLOBAL.COM


Key factors in BREEAM certifi cation assessment


■ EPC rating of A, CO2 index of 14 ■ Carbon emissions


below 4kg CO2/m2 ■ Sustainably powered biomass


boiler, photovoltaic array and 6kW hydroelectric turbine give carbon savings of 38% from energy produced ■ Demolished buildings’ materials recycled and re-used ■ 80% of original structures retained ■ Rainwater harvesting, restricted water devices ■ Improvements in ecology and biodiversity of the SSSI ■ Heat from distillation process used to heat glasshouses ■ Spent botanicals used as fuel source


gathers at the neck. The warm air is circu- lated from the still building into the base of the glasshouse through grilles around the walkway. The warm air rises naturally and the negative pressure in the still house behind creates a plenum which draws the air out of the glasshouse at the top.”


The distillery received a BREEAM outstanding certifi cation. What other sustainable attributes does the development have? Will Brix, Bombay Sapphire: “In addition to generating hydroelectricity, we’ve installed photovoltaic panels and at the heart of the operation, a sustainable bio- mass boiler. The boiler burns locally-sourced renewable woodchip, as well as the spent botanicals which are a by-product of the distillation process.”


build a dialogue with the local community and as a result of the material she gathered, we’ll be running heritage tours next year.”


How does the heating system work? Eliot Postma, Heatherwick Studio: “The ironwork frame of the glasshouses connects to the still building behind it and


Eliot Postma, Heatherwick Studio: “That energy loop between the still build- ing and the glasshouses is a really big part of why we were able to achieve the sustainability accreditation, and it’s the fi rst time a BREEAM outstanding certifi cation has been awarded to a refurbishment.”


Did the site pose many challenges? Eliot Postma, Heatherwick Studio: “Pretty much every challenge you can possibly imagine! There are three Grade II listed buildings on site, and another 10 are


CLADmag 2015 ISSUE 1


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112  |  Page 113  |  Page 114  |  Page 115  |  Page 116  |  Page 117  |  Page 118  |  Page 119  |  Page 120  |  Page 121  |  Page 122  |  Page 123  |  Page 124  |  Page 125  |  Page 126  |  Page 127  |  Page 128  |  Page 129  |  Page 130  |  Page 131  |  Page 132