Performance & Persona, 1992-2007
HASSAN MUSA
About ‘Artafricanism’ and about Art, 1992 T
his excerpt, the artist’s translation, is from the brochure that accompanied Hassan Musa’s graphic ceremony, Cena Africana II/African Last Supper II, at the School of Oriental and African Studies, London, on 7 August 1992. It was published in Seven Stories about Modern Art in Africa (1995: p241).
What remains of an art work When ‘exhibited’? What remains of a work When explained? What remains of a work When achieved? What remains of art Once crossed one’s mind?
I am searching for a mark A living, mobile, breathing mark A mark which runs the risk of hazard And those of premeditation.
I am searching the way Out of the old, well-beaconed labyrinth Of the exhibition.
I think the traditional, ceremonial setting out of the art exhibition loses the sense of the art work, suggesting that the work of art is finally closed. In itself, the exhibition
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