on 25.11.05, with additional editing by the correspondents in 2008. Musa sometimes addresses the universal aspects of calligraphy and at other times he addresses its personal and cultural specificities. He calls the maker ‘a writer’ not ‘an artist.’


Figures 3.1-3.3 The logo for the British Museum’s Sudan Past and Present season (2004) was Hassan Musa’s calligraphic ostrich, shown below on the brochure cover and the cover of Musa’s book Inchallah (Grandir: 1996), which was displayed in the Museum’s Reading Room as part of the Museum’s Sudan Past and Present exhibition, September 2004


146 | ARTISTS AND ART EDUCATION IN AFRICA


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