leadingestates.com/201/02
best. These houses are filled with antique furniture, paintings and other decorative arts, much of it original to the houses.
During a long career on Wall Street, I was involved in bringing many companies “public,” including our own firm, Donaldson, Lufkin & Jenrette, which became the first NYSE member firm to sell its shares to the public. So now, at age 85, it’s time to go public with all these houses and their related collections. That is why, in 1993, I formed Classical American Homes Preservation Trust, a not-for-profit foundation that will eventually own all of these houses and open them to the public. Three of the houses are already owned by the Trust, and the others will be given to the Foundation as my personal circumstances dictate. Meanwhile, the houses that I still own are also open for special group tours by museums, garden clubs, and various preservation organizations. All proceeds from these tours are donated to either the sponsoring organization or the Trust, as are the proceeds from the sale of our publications such as my book Adventures with Old Houses, which describes my 45-year odyssey in collecting and restoring old houses and antiques.
There are quite a few things that are different or contrarian about Classical American Homes Preservation Trust vis- à-vis other preservation organizations, which I would like you to know about before you consider participating in our activities. Unlike many museums or preservation groups, we are not trying to be “all things to all people.” Our collection of old houses and decorative
arts is tightly focused – first half of the 19th Century, residential, classical, and American. When it comes to antique furniture we are even more focused. Exceptions to the Americana rule are imported luxury items, used but not made in the U.S. at the time.
Another distinguishing feature is that the collection is very “personal” – not just to me, but to the previous owners of the houses. The houses and their contents obviously are very personal since they have been “home” to me for many years. But a strange thing happened along the way – the longer I lived in the houses, the more I became aware of the families who had preceded me, either in building or owning the houses. Many of the original furnishings, including family portraits, porcelain, silverware, etc. began to show up almost miraculously. Once the process of seemingly returning the house to the original owners started, I happily joined the search. While the houses were home to me, I never felt that I was anything more than a custodian, and now these houses have become far more interesting, not only to me, but to visitors, because so many of the original furnishings have returned to their home. The houses tell a fascinating tale of changing life in America over hundreds of years.
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