ARTS PICCOLO SPOLETO
MERRIE MCNAIR
ALICE
STEWART GRIMSLEY
STEVEN HYATT
Merrie McNair is a South Carolina native who spent childhood summers roaming the beaches and tidal waters of the Lowcountry. Having moved to New York in 1982, McNair attended Parsons School of Design and began using her love of color and textures to create interior spaces reflective of her clients’ lifestyles. She now expresses herself through paint with a style that provides that special balance between realism and impressionism. “I hope my paintings evoke the senses ... a vacation, a childhood mem- ory or a feeling that only nature can inspire,” she says.
At the Piccolo Spoleto Outdoor Art Exhibition this year, McNair will display Lowcountry scenes, from creek sunsets to plated oysters, along with some more modern interpretations of palm fronds and shrimp boats. A member of the Charleston Artist Guild, McNair sells primarily through private showings and is available for com- missioned art.
Merrie McNair
merriemcnair.com
As a teenager, Alice Stewart Grimsley studied under Corrie McCallum and her husband, William Halsey, after whom the Halsey Institute of Contemporary Art was named. “They sent us out in the streets, and we would go and paint,” says the Yonges Island resident. “That’s when I fell in love with architecture and plaster falling off of buildings and the antiquity of the area.” Trained in oils, Grimsley—who is also an artist-in-residence for the South Carolina Arts Commission—went on to become a wa- tercolorist whose brightly colored, cheerful Lowcountry scenes spring to life. After a 17- year career teaching art, Grimsley became a full-time artist in 1989 and went on to run the historic Pink House Gallery on Chalmers Street for 20 years. In March, Grimsley was welcomed into the Courtyard Gallery at 149 East Bay St., where you can now find both her prints and originals.
Alice Stewart Grimsley
courtyardartgallery.com
Steven Hyatt is a photographer and printer based in Charleston. In addition to his pho- tography, he is also president of a printing business called Imaging Arts Printing. “My interest in photography emerged in my teenage years as an extension of a general desire to create,” Hyatt says. “Years later, as a philosophy and religious studies major at the College of Charleston, I would often spend time studying in the Unitarian Church’s incredibly unique and alive cem- etery. Many years after that, I found myself back at the same church wondering how I could capture what I was both seeing and experiencing in that space.” The effort to meet that challenge gave birth to the Churches of Charleston Project, which has since expanded to include churches throughout the world.
Hyatt also does a wide array of photogra- phy ranging from architecture and portraits of birds of prey to landscapes and abstract fine art photography.
Steven Hyatt
stevenhyatt.com
309 CSD
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