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Sustainable luxury


With the demand for sustainable products on the increase and the desire for luxury still prevailing, Marc Howlett of William Holland asks if the two can co-exist in bathrooms


n today’s environmentally aware culture, the concept of luxury has undoubtedly undergone some dramatic ideological shifts that are challenging the very notion of value. Exclusivity, rarity or wealth are no longer the sole defining aspects of a luxurious product and 21st century luxury has become a much deeper affair, demanding quality, passion, craftsmanship and above all, conscience. In fact, rather than questioning whether the


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two can co-exist, a more pertinent question is how can one exist without the other at a time when we know resources are limited and awareness of the importance of eco-issues is much greater. So much so in fact that luxury and environmental sustainability are now far from being mutually exclusive concepts. With the ever increasing value being placed


on our fragile natural world, the two previously opposing ideologies are coming together, to the extent that unethical and unsustainable products are now as frowned upon by con- sumers of luxury products as mass consumerism and generic manufacture. This changing tide is reflected in


trends for materials which have been continu- ously growing in momentum over the last few years, surviving the fickle whims of fashion. The use of natural materials within homes and the rise of ‘biophilic’ design pushing the benefits of bringing the outdoors into our interior worlds, are all reflective of a desire to connect with nature and indicative of the high value we now place on our environment.


Copper credentials


Given this key trend it is therefore no surprise that along with luxury FSC approved timbers and natural stone in bathrooms, copper has also gone from strength to strength over the past decade and continues to grow in popularity with luxury interior stylists and designers. Used in everything from functional details to key state- ment pieces around the home, the versatility of this material in both form and finish allows for a swathe of stylistic adaptations and uses. As a natural material, copper is 100 per cent recy- clable without any reduction of purity or proper- ties and so can be counted as a highly sustain- able as well as effective material. It also has some undeniable qualities that


make it the perfect bedfellow for the luxury eco-conscious consumer. Highly malleable yet extremely strong when crafted in the correct manner, copper can be used for a wide variety


28 selfbuilder & homemaker www.sbhonline.co.uk


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Copper has gone from strength to strength over the past decade and continues to grow in popularity with luxury interior stylists and designers


of functional items that require longevity, practicality and beauty. Completely non- corrosive, it will not rust or decay over time and can be recycled and re-formed for different functions and purposes indefinitely. As a highly effective heat conductor, contrary


to popular belief, copper is the perfect material for ‘warmth-requiring’ products such as baths and basins. As the warmth permeates the cop- per with very little resistance the material heats up almost instantly requiring minimal energy and maintaining the ambient water temperature for long periods. Aside from the qualities of sustainability, heat


efficiency and practicality, copper’s beauty is undeniable. A semi-precious metal, copper has an inherent aesthetic value which has seen it infiltrate the luxury market. The glamour and warmth provided by the glimmering light from pure polished copper creates a tantalising


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ambience, balanced by feelings of warmth, comfort and homeliness that have seen it become as much of mainstay in luxury as the exclusive aesthetics of the past. Luxury value is as much about the experience


as it is aesthetics, demanding products that create atmosphere and emotion. With this in mind it is no wonder that there is a growing trend within today’s luxury society for items that have been carefully made by hand, over mass production. Markets are seeing a considerable backlash


against the mass consumerism of past generations, with clients desiring luxury items made with commitment, passion and craftsmanship. The luxury of time, the luxury of skill and the luxury of a unique handcrafted item conjure an emotive response and a creative con- nection that simply cannot be matched in a machine-produced object. There is, and will


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