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Reynolds, A. M., & Conway, C. M. (2003). Service-learning in music education methods: Perception of participants. Bulletin of the Council for Research in Music Education, 155, 1-10.


Reynolds, A. M., Jerome, A., Preston, A. L., & Haynes, H. (2005). Ser- vice-learning in music education: Participants’ reflections. Bulletin of the Council for Research in Music Education, 165, 79-91.


Robinson, M. (1998). A collabora- tion model for school and community music educa- tion. Arts Education Policy Review, 100(2), 32-39. doi: 10.1080/10632919809599454


Mitchell Robinson profiles the East- man-Rochester Partnership, a collabo- ration between the Eastman School of Music and the Rochester City School District designed to provide a new model of urban music education and restore a once vibrant inner-city school music program. Descriptions of several more noteworthy Eastman School-Rochester CSD music educa- tion projects are included. Implications include the removal of perceived in- stitutional barriers and shared respon- sibility for music education among all stakeholders in the urban environment.


Soto, A. C., Lum, C-H., & Camp- bell, P. S. (2009). A university- school music partnership for music education majors in a culturally distinctive community. Journal of Research in Music Education, 56(4), 338-356. doi: 10.1177/0022429408329106


This article documents a university- school collaboration called Music Alive! in the Valley (MAV), which brought together preservice music educators and university faculty with students and teachers in a Mexican American community. Activities include in-class teaching, cultural


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learning opportunities and homestays, performances, and meetings with administrators. Benefits of the partner- ship included a wide variety of music taught to elementary students and pre- service educators becoming intrigued with the idea of teaching in a rural elementary context.


Online resources


Oregon Symphony Community Music Partnership: The Oregon Symphony created its Community Music Partnership program for rural communities in the state as a means of developing or sustaining/enriching existing K-12 music education pro- grams. Activities included extensive professional development, school performances, music director and in- strument clinics, and interdisciplinary projects. http://www.orsymphony.org/ edu/comm_cmp.aspx


A movie demonstrating the Commu- nity Music Partnership in action may be found at:http://www.orsymphony. org/video/edu/cmp/index.aspx


2001 Charles Fowler Colloquium on Innovation in Arts Education: The Art of Partnership: The Uni- versity of Maryland hosted this event as a means to explore collaborations between schools and communities for the enhancement of learning in the arts. Papers delivered at the Collo- quium by some of the nation’s leading authorities on arts collaborations may be downloaded from the following website: http://www.lib.umd.edu/scpa/ fowler/fowler2001


The Arts Partnership Program Reports from the Colloquium (http://www. lib.umd.edu/binaries/content/assets/ public/scpa/2001-reports.pdf) gives excellent detail on arts partnerships that were taking place in the metropol- itan Baltimore/Washington area at the time of the 2001 Colloquium. These partnerships could serve as a model for new arts collaborations.


The following websites may also be of assistance for those looking for additional information on community music:


Adult and Community Music Special Research Interest Group (SRIG): http://acmesrig.wordpress. com/


International Society for Music Education (ISME) Community Music Activity Commission: http:// www.isme.org/cma


Daniel J. Albert is a Ph.D. student in music education at Michigan State University. Previously, Daniel taught middle school general and instru- mental music in Longmeadow, Mas- sachusetts. He received his Bachelor of Music degree from the University of Massachusetts Amherst and his Master of Music degree from the University of Michigan.


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