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WEEKLYPRESS.COM •
UCREVIEW.COM • JUNE 12, 2013 T
hree new solo ex- hibitions are now up and running at
The Print Center through July 27. Taryn McMahon’s
“Shade Beneath Trees of My Own Planting” is composed of cascad- ing printed Mylar panels inspired by 17th and 18th
century botanical engrav- ings; Lydia Panas’ “After Sargent” shows her inter- est in creating complex portraits of groups and individuals, inspired by John Singer Sargent; Soledad Salame’s “Look- ing Back...Looking For-
ward...”, utilizes experi- mental print processes, hand-cut paper printed and embossed, and photo- graphic images. 1614 Lat- imer. 215-735-6090. DZ Locks Gallery is present- ing two new shows: “Jen- nifer Bartlett: Chaos Theory” covers two floors displaying her early plate pieces and new “blob paint- ings” on canvas. “Lynda Benglis: Everything Flows” includes her ceramic and plate pieces and her newest fountain up on the hand- some rooftop garden. Open
until 8 p.m. on Wednesdays. 600 Washngton Square South. 215-629-1000. DZ Ghenady Meirson’s popular annual month- long Russian Opera Workshop continues on June 13 and 14 with Master Classes by dis- tinguished American soprano Benita Valente featuring standard opera repertoire in various lan- guages, a different group of young singers each day, accompanied by pianist Donald St. Pierre. Free,
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The new summer show
at the National Constitu- tion Center, “The 1968 Exhibit”, gets an appro- priate kick-off on June 13 with a “groovy, 60’s-in- spired shindig celebrating peace, love and freedom”. Visitors are invited to don bell bottoms, suede vests and tie-dyed tee shirts for the party from 5:30 to 8:30 p.m. in the Center’s Grand Hall Lobby. Tickets to the nostalgic bash in- clude access to the show. Information at 215-409- 6700. 525 Arch. DZ Pennsylvania Ballet closes its current an- niversary season with “Forsythe & Kylian”, pre- senting Jiri Kylian’s “For- gotten Land”, a company premiere set to music by Benjamin Britten, and a second company premiere of William Forsythe’s “Artifact Suite”, mu- sic by J.S. Bach and Eva Crossman-Hecht. A third highlight to the program will be the world premiere of resident choreographer Matthew Neenan’s newest untitled work set to music from Felix Mendelssohn’s “Songs Without Words”. Only five performances including two matinees from June 13 to 16. Acad-
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