This page contains a Flash digital edition of a book.
Moderated by Joshua Rose, editor of American Art Collector and American Fine Art magazines, with panelists: Michelle DuBois, Associate Director, New England, Winston Art Group, the nation's largest independent appraisal and advisory firm; Elizabeth Ives Hunter, former director of the Cape Cod Museum of Art and now a private curatorial consultant to institutions and individuals; and New York gallery owner Lou Salerno of Questroyal Fine Art specializing intraditional 19th and early 20th century paintings.


Bring your questions for a lively exchange of ideas and opinions!


Joshua Rose Lou Salerno


SUNDAY, NOVEMBER 18 2:00pm- “Saving Venice: Art Restoration in theWorld’sMost Fragile City”


Join us for this informative slide presentation and discussion about the work of Save Venice, Inc. Formore than four decades, Save Venice has been providing financial support and scholarly expertise to restore the art and architecture of Venice. To date Save Venice has raisedmore than $20million dollars and restoredmore than 400 works of art. Current restorations funded by the Boston chapter include: frescoes by Veronese in the church of San Sebastiano; Titian'smonumental painting of the "Presentation of the Virgin" in the Sala dell'Albergo in the Gallerie dell'Accademia; the quincentenary of the Venetian Ghetto; and numerous others.


Rialto Bridge, Venice, Italy. Designed and built by Antonio da Ponte, completed in 1591.


The Boston Chapter offers an annual general meeting in the fall, a lecture series each winter, as well as fundraising galas, benefit dinners, educational events, guided tours, and trips to Venice.


Formore information, log on to www.savevenice.org or call 212-737-3141.


Presented by Christopher Carlsmith, Assoc. Professor of History, UMass Lowell, and Chair of Lecture Committee, Save Venice Boston Chapter, and Anne-Marie Eze, AndrewW.Mellon Postdoctoral Curatorial Fellow, Isabella Stewart Gardner Museum, and Chair of Young Friends for the Boston Chapter.


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