This page contains a Flash digital edition of a book.
NEWS


Jones recruited to direct K5’s Ian Fleming biopic


BY WENDYMITCHELL Duncan Jones, director of Moon and Source Code, will direct a new film about James Bond author Ian Fleming. Oliver Simon and Daniel Baur


of K5 Film will produce with PalmStar Media Capital’s Kevin Frakes and Liberty Films’ Stuart Fenegan, in association with Jim Young and Fleming’s great- nephew Robert Laycock of the Ian Fleming estate. K5 will handle world sales. Jones is currently casting the


given the full support of Fleming’s estate. The story will explore Fleming’s


history as a naval intelligence officer who planned secret opera- tions before he became an author. “The essential question for me


Duncan Jones


film, which is based on Andrew Lycett’s biography Ian Fleming: The Man Behind James Bond. It is the only biographical film to be


Wu’s Seven Stars finances Killer


Bruno Wu’s Seven Stars Film Studios will finance John Woo and Terence Chang’s English-language remake of Hong Kong action film The Killer. Woo and Chang will produce the


Pictures Dept adopts Dog


BY LIZ SHACKLETON Japanese production and sales outfit Pictures Dept has picked up worldwide rights to Shinji Aoya- ma’s upcoming adaptation of Shinya Tanaka’s novel Dog Eat Dog (Tomogui), about a 17-year-old boy exploring his sexuality. Produced by Naoki Kai’s Style


Jam, the as-yet-untitled film will start shooting this autumn in Japan’s Kyushu region — the same location as Aoyama’s Eureka and Sad Vacation — for Japanese theat- rical release in spring 2013.


$30m film through their Lion Rock Productions, with Lion Rock’s Lori Tilkin as executive producer. John H Lee is set to direct from a script by Josh Campbell. The cast will include


is, ‘Where did Ian Fleming end and Bond begin?’” Jones said in a statement. “Duncan is one of the hottest


directors currently working in film and everyone has been waiting to see what he would do next,” added Simon and Baur.


Chinese actress Sarah Yan Li. Set in Los Angeles, the remake follows a contract killer who falls in love. The financing deal was closed by


Seven Stars’ recently appointed CEO Fred Milstein prior to Cannes. Liz Shackleton


Pasolini paints Beta’s Still Life


BY WENDYMITCHELL Eddie Marsan (War Horse) and Joanne Froggatt will star in Still Life, which starts shooting tomor- row in London and south-east England. Machan director Uberto Pasolini is directing from his own script. Beta is handling world sales on


the project, which will be delivered in early 2013. The film is described as “a


poignant, quixotic tale of life, love and the afterlife”. A council worker (Marsan) is working his final case, notifying the next of kin for some- one who died alone. Pasolini will also produce, with


Christopher Simon and Felix Vossen. The film is a Red Wave/ Embargo Films production in association with Rai Cinema, Cinecitta Studios and Exponen- tial Media.


Buyers addicted to Voltage’s Don Jon


BY JEREMY KAY Ascot Elite has acquired German- speaking rights to Joseph Gordon- Levitt’s directorial debut Don Jon’s Addiction from Voltage Pictures. Deals also closed in Australia and


New Zealand (Roadshow), Portugal (Lusomundo), Scandinavia (Mis. Label), Middle East (Gulf), Latin America (Imagem), Hong Kong (Deltamac), Singapore (Shaw), Tai- wan (SSG), South Korea (Noori), South Africa (Ster Kinekor), CIS (Paradise), Eastern Europe (Blue Sky), Turkey (Kalinos), Canada


Lightning strikes for Jungle, Reich


BY JEREMY KAY Lightning Entertainment has closed a raft of pre-sales on Andrew Traucki’s thriller The Jun- gle and has licensed German and Japanese rights on Australian sci-fi adventure The 25th Reich. Richard Guardian serves as


executive producer and sales consultant for Lightning on The Jungle. Traucki’s production company


Mysterious Light and producer Annmaree J Bell are ramping up for a June shoot in Australia and Indonesia.


The 25th Reich Deals have closed with Metro-


dome in the UK, IFM/Filmways in Australia, Wild Side in France, A Contracorriente in Spain, Eagle in the Middle East and IPA in Thailand.


Stephen Amis’ Australian sci-fi


fantasy adventure film The 25th Reich screens at noon today. Light- ning vice-presidents of interna- tional sales Mathilde Epstein and Alexandra Cocean have licensed rights to Revolver for the UK, Nikkatsu for Japan, Eagle for the Middle East and More Films for German DVD/VoD. Also, Universum has taken all


German-speaking territories to Lightning’s Love And Honor while Eagle has acquired Middle East- ern rights to that film as well as Kikoriki: Team Invincible.


Wide Management has picked up The Skinny (above) and Gulf Stream Under The Iceberg. The Skinny, directed by Patrik-Ian Polk, follows five friends during a tumultuous gay pride march in New York. Jussie Smollett stars. Yevgeny Pashkevich’s Russian- language drama Gulf Stream is based on a novel by Anatole France. Andreas Wiseman


(Remstar), Iceland (SamFilm), Israel (Forum), India (Picture- Works) and Indonesia (PT Amero). For The Necessary Death Of


Charlie Countryman, deals have closed in Portugal (Lusomundo), Latin America (Imagem), Hong Kong (Deltamac), Singapore (Innoform), Middle East (Gulf ), CIS (DT), South Africa (Ster Kine- kor), Taiwan (SSG), China (HGC), Scandinavia (Scanbox), Eastern Europe (Mediapro), Benelux (Belga), Israel (Forum), Greece, Turkey and India (Tanweer).


n 2 Screen International at Cannes May 19, 2012


Page 1  |  Page 2  |  Page 3  |  Page 4  |  Page 5  |  Page 6  |  Page 7  |  Page 8  |  Page 9  |  Page 10  |  Page 11  |  Page 12  |  Page 13  |  Page 14  |  Page 15  |  Page 16  |  Page 17  |  Page 18  |  Page 19  |  Page 20  |  Page 21  |  Page 22  |  Page 23  |  Page 24  |  Page 25  |  Page 26  |  Page 27  |  Page 28  |  Page 29  |  Page 30  |  Page 31  |  Page 32  |  Page 33  |  Page 34  |  Page 35  |  Page 36  |  Page 37  |  Page 38  |  Page 39  |  Page 40  |  Page 41  |  Page 42  |  Page 43  |  Page 44  |  Page 45  |  Page 46  |  Page 47  |  Page 48  |  Page 49  |  Page 50  |  Page 51  |  Page 52  |  Page 53  |  Page 54  |  Page 55  |  Page 56  |  Page 57  |  Page 58  |  Page 59  |  Page 60  |  Page 61  |  Page 62  |  Page 63  |  Page 64  |  Page 65  |  Page 66  |  Page 67  |  Page 68  |  Page 69  |  Page 70  |  Page 71  |  Page 72  |  Page 73  |  Page 74  |  Page 75  |  Page 76  |  Page 77  |  Page 78  |  Page 79  |  Page 80  |  Page 81  |  Page 82  |  Page 83  |  Page 84  |  Page 85  |  Page 86  |  Page 87  |  Page 88  |  Page 89  |  Page 90  |  Page 91  |  Page 92  |  Page 93  |  Page 94  |  Page 95  |  Page 96  |  Page 97  |  Page 98  |  Page 99  |  Page 100  |  Page 101  |  Page 102  |  Page 103  |  Page 104  |  Page 105  |  Page 106  |  Page 107  |  Page 108  |  Page 109  |  Page 110  |  Page 111  |  Page 112