talking techniques… Once she’s marked in the various lines, she


moves on to adding the colour, typically applying Winsor & Newton Designers’ Gouache with a Prolene 007 brush that she jokingly refers to as ‘James Bond’. “Gouache is something I’ve always got on with,” she says. “You can use it thinly in washes or thickly, and I find it quite forgiving.” The final stage is to scan the illustration into her


computer and make any last adjustments in Photoshop before sending it off to the relevant client. “Photoshop allows me to clean up the page a bit and if I’ve made a mark the clients don’t want, I can knock it out,” she says. “Also, if I’m doing a piece that has several different elements then I’ll work on the elements separately and place them in Photoshop, which gives a bit more flexibility.”


48 Artists & Illustrators


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