26 TVBEurope The Workflow Fujinon has a range of 4K
HK Premier cine lenses aimed at high-end cameras that covers 14.5mm to 400mm using four lenses with overlapping focal lengths, but of most interest to broadcast users is its new Cabrio range. This combines 4K PL-mount optics in a compact housing “with a zoom and focus servo unit that is familiar to ENG camera operators, a large
OB or studio configuration, including remote control of iris settings. Fujinon and Pyser-SGI have been involved with tests of both 4K sports programmes and 4K high frame rate recordings. Both of these will be key to successfully rolling out 4K production for broadcast.” The new Cabrio ZK2.5x14 14-35mm/T2.9 wide angle is the latest addition to the range, which
family, the CZ.2 15-30/T2.9, by NAB. It will join the lightweight CZ.2 70-200/T2.9 and CZ.2 28-80/T2.9 lenses, which proved so popular that Zeiss had to double its production capacity in order to reduce the lead time from six or seven months to three to four months.
“Our Compact Zoom family is the only cine-style zoom with full frame coverage [24x36mm],
“There’s a huge demand for anamorphics. Digital makes anamorphic use a lot easier than film did, but digital can also look boring, while anamorphic adds texture and feeling”
rotational angle for zoom and focus, and T-stop markings that those from a film background expect,” says Czich. “The servo is easy to detach
Full-frame zoom: Lenhof with the new CZ.2 15-30/T2.9
and refit so the lenses may be used cine or video style. We have found that one of the key benefits is that using the servo package the lens can be used in
now covers 14-300mm with three lenses. Without the servo drive unit, the lens can be used in the traditional cinema manner, with or without external cine motors for zooming and focussing. The lens includes a Macro Function for shooting as close as 33cm. Zeiss will release the third and widest of its Compact Zoom lens
www.tvbeurope.com January 2014
Les Zellan, Cooke Optics
and we are the only ones with the interchangeable mount system [for PL, EF, F, MFT and E mounts],” claims Helmut Lenhof, Zeiss product manager for Digital Cinema. Despite the fact that lenses get bigger as their image area increases “this is still light [2.5kg] and compact,” he adds. Full frame
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