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in pitch of four semitones. Now when played, it should be possible to hear that the Monotron is playing a major interval throughout the ribbon. Although in some cases a fi xed interval may be the desired effect, in this tutorial we’re after both major and minor chords. To achieve this, the pitch shifter plug-in needs to be moved before the pitch correction plug-in in the signal path. That way the intervals are corrected according to the scale. In order to add the second interval or fi fth note in the chord, we repeat the same process but change the pitch correction to 7 semitones. Again you can also repeat the process, adding the third interval or seventh note for jazzier chords. You can also add effects to the Bus channel. To record your Monotron performance, set up a new


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audio track with the input set to Bus 1 and record as you would with any audio input channel. If you want to work in a different key or scale, simply make sure that key and scale are selected in the initial channel set-up and the Monotron is tuned to that key.”


LEARN MORE ABOUT USING LOGIC PRO AS A RECORDING TOOL ON POINT BLANK’S WIDE RANGE OF LOGIC COURSES


TUTORIALS ARE ON POINT BLANK’S SAMPLE COURSE PAGE.


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