“My time as a research student in Art History was most rewarding. I had the opportunity to seek funding, with the help of my supervisor, to complete my research abroad flying from Paris to Lisbon to Rio de Janeiro in search of new material and new perspectives. On my return to St Andrews, I organised the 2007 AAH Student Summer Symposium at the School of Art History and was asked to take over the editorship of our postgraduate journal. These synchronous activities to my academic training opened up windows of new experience and inspired me to realise my own career path.”


MARIA Greece


PhD Art History Art Consulting and Project Management, ToQSO Art, Athens


Part-time study is possible in all courses (except for non EU / UK students). In order to qualify for part-time status you must showthat you are unable to pursue studies full time (e.g. because you are in full-time employment). Arrangements may vary depending on the degree intended. If you wish to apply for part-time study you are advised to discuss your proposed programme with the Director of Postgraduates in consultation with the Head of School.


It is sensible to confirmthat the courses that interest you will be available during the period in which you plan to attend St Andrews as not all modules are available every year.


Postgraduate Modules in Art History and History of Photography Offered Over a Two-Year Cycle


• Art after the Holocaust • Art Historical Resources andMethods • Aspects of Art and Politics in Late Twentieth-Century Art


• Art and Politics in the Trecento • Bernini • Bibliography for Art History or History of Photography


• Giorgione • Imperial Lens: Readings in Nineteenth-Century Asian Photography Issues in Photographic Criticism


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• Paragons of the Northern Baroque: Rubens and Rembrandt


• Photography in Scotland • Readings in Art History or History of Photography


• Studies in LateMediaeval Italian Sculpture


• The‘New Vision’ in Twentieth Century European Photography


• School: Images, Spaces, Artefacts and Ideas of Learning


• WilliamMorris • University of St Andrews Photographic Collection


• Vernacular Photography: History, Theory, Presentation and Display


• GothicManuscript Decoration: Culture and Context


• Palladio in Venice • Issues in Photographic Criticism • Text and Image in France from Didierot to Dada


• Minimalism • Sculpture Studies: BritishMediaeval Sculpture, 1066-1531


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